ld directions read.
The garter was, indeed, originally the most important emblem of the
entire garb. It symbolized to the wearers that "as by their Order,
they were join'd in a firm League of Amity and Concord, so by their
Garter, as by a fast Tye of Affection, they were obliged to love one
another." The garter was blue, fastened with a gold buckle, and on it
was inscribed the motto, "Honi soit qui mal y pense" [Evil to him who
evil thinks]. A miniature representation of the garter encircles the
cross in the centre of the star, and also forms a border of the
"George" medallion.
From the broad lace collar to the high-heeled shoes with their huge
rosettes, the young man of the picture represents the height of the
prevailing fashion. His hair is carefully curled in the manner of the
Cavaliers. He is in fact the impersonation of the court life of the
period. It is pleasant to fancy the graceful youth moving through the
stately figures of the court dances.
[Illustration: JAMES STUART, DUKE OF LENNOX AND RICHMOND
_Metropolitan Art Museum, New York_]
It was five years after this portrait was painted that the Duke of
Lennox married Mary, the daughter of the first Duke of Buckingham.
Then followed the troubles in Scotland caused by the king's persistent
attempt to force the liturgy of the Church of England upon the people.
Lennox now showed himself a stanch adherent of the Crown, and upheld
the royal cause in the face of the bitter opposition of the Scotch.
His enemies thought him very haughty and severe in his manner, but his
probity and sincerity seem not to have been questioned.
In 1641, he was created Duke of Richmond, and in the same year was
appointed to the high office of Lord Steward of the Household.
Throughout the civil war he served his royal master with untiring
faithfulness, devoting a large part of his fortune to the cause of the
Crown. When Charles was held a prisoner in Hampton Court, it was this
friend who cheered the period of his confinement. When at last, after
the execution of the king, the royal remains were buried at Windsor,
the Duke of Richmond was one of the four noblemen who sorrowfully bore
the pall to the grave. He died in the prime of manhood, in 1655.
A more loyal follower no king could have, yet, notwithstanding his
zeal, the Duke of Lennox and Richmond failed to exert any great
influence upon history, because he lacked the necessary judgment and
decision of character. His portrait ce
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