t.
8-1/2 in. by 3 ft. 2-1/2 in. _Cust_, pp. 58 and 261.

2. _The Rest in Egypt._ Painted in the Italian period for Frederick
Henry, Prince of Orange. One of several pictures of the same subject,
and generally considered the original, though the authenticity is
doubted by Signor Venturi. In the Pitti, Florence.

3. _The so-called Portrait of Richardot and his Son._ The identity of
the subject not established. Sometimes attributed to Rubens, but
accepted as Van Dyck's work by Cust. In the Louvre, Paris. Size: 3 ft.
7 in. by 2 ft. 5-1/2 in. _Cust_, pp. 76 and 134.

4. _The Vision of St. Anthony._ Painted in the Italian period.
Obtained by exchange in 1813 from the Musee National at Paris. In the
Brera Gallery, Milan. Size: 6 ft. 1 in. by 5 ft. 1/4 in. _Cust_, pp.
46 and 239.

5. _Madame Andreas Colyns de Nole and her Daughter._ Painted in
Antwerp in period from 1626 to 1632. Purchased in 1698 by the Elector
Max Emanuel of Bavaria. Munich Gallery. Size: 3 ft. 11-1/2 in. by 2
ft. 11-2/5 in. _Cust_, pp. 79 and 254.

6. _Daedalus and Icarus._ Painted about 1621 (?). Exhibited at Antwerp
in 1899. One of several paintings of the same subject. In the
collection of the Earl of Spencer, Althorp. _Cust_, pp. 61 and 241.

7. _Portrait of Charles I._ Supposed to be a copy by Sir Peter Lely
from the original, which was painted about 1636, and destroyed in the
fire at Whitehall in 1697. Not impossibly, however, the original
painting itself, given by the king to the Prince Palatine. In the
Dresden Gallery. Size: 4 ft. by 3 ft. 2 in. _Cust_, pp. 105 and 264.

8. _The Madonna of St. Rosalia._ Painted in 1629 for the Confraternity
of Celibates in the Hall of the Jesuits, Antwerp. On the suppression
of the order in 1776 it was purchased by the Empress Maria Theresa.
Now in the Imperial Gallery, Vienna. Size: 9 ft. 1 in. by 6 ft. 11 in.
_Cust_, p. 250.

9. _Charles, Prince of Wales._ Detail of a group of the three children
of Charles I., painted in 1635. Probably painted for the queen, and
presented by her to her sister Christina of Savoy. In the Royal
Gallery, Turin. _Cust_, pp. 110 and 266.

10. _St. Martin dividing his Cloak with a Beggar._ Painted in the
Italian period. Presented to the Church of Saventhem by Ferdinand de
Boisschot, Seigneur de Saventhem. Taken by the French to Paris in 1806
and returned in 1815. A copy of this picture is in the Imperial
Gallery, Vienna, but the original is in the church of Saventhem.
_Cust_,