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a time of emergency 6, 20, 72, 74, 79 Television _see_ BROADCASTING, Radio and television TOILETS, Emergency 42, 45-46, 48-49 TORNADOES 79-80 _see also_ 71-74 (General Guidance) TOURNIQUETS, Special advice on 61-62 Training courses _see_ EMERGENCY SKILLS WARNING: 17-22 _see also_ ATTACK WARNING _and_ NATURAL DISASTER WARNING WATER: Available and usable after an attack 14-16 Care and use of water supplies in shelter 46-48 Possible danger of contaminated water to children 6, 9, 16 Precautions on use of water after a natural disaster 73 To store for home shelter use 41 To store for use in a natural disaster 72, 82 To take to public fallout shelter 40 Water service, turnoff by householders 75 _see also_ SUPPLIES FOR FALLOUT SHELTERS Winter storms _see_ STORMS, Winter * * * * * KEEP THIS HANDBOOK WITH OTHER EMERGENCY INSTRUCTIONS YOU RECEIVE U.S. GOVERNMENT PRINTING OFFICE: 1968--O-297-579 * * * * * FOOTNOTES: Footnote 1: In a time of nuclear attack or major natural disaster, don't use the telephone to get information or advice. Depend on radio or television. Footnote 2: These smaller particles would drift to earth more slowly, losing much of their radioactivity before they reached the ground, and would be spread by the upper winds over vast areas of the world. Footnote 3: This table, and other suggestions concerning emergency supplies of food and water, is contained in "Family Food Stockpile for Survival," Home and Garden Bulletin No. 77, U.S. Department of Agriculture. For sale by the Superintendent of Documents, Washington, D.C. 20402, price 10 cents. End of Project Gutenberg's In Time Of Emergency, by Department of Defense *** END OF THIS PROJECT GUTENBERG EBOOK IN TIME OF EMERGENCY *** ***** This file should be named 15158.txt or 15158.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.net/1/5/1/5/15158/ Produced by Kevin Handy, John Hagerson, and the PG Online Distributed Proofreading Team. Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without payi
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