Hervieu--The Quintessence of Shaw--Maxim Gorky's
Nachtasyl--Hermann Sudennann--Princess Mathilde's Play--Duse and
D'Annunzio--Villiers de l'lsle Adam--Maurice Maeterlinck.

"His style is a little jerky, but it is one of those rare styles in
which we are led to expect some significance, if not wit, in every
sentence."--G.K. Chesterton, _in London Daily News._

"No other book in English has surveyed the whole field so
comprehensively."--The Outlook.

"A capital book, lively, informing, suggestive."--London Times
Saturday Review.

"Eye-opening and mind-clarifying is Mr. Huneker's criticism; ... no
one having read that opening essay in this volume will lay it down
until the final judgment upon Maurice Maeterlinck is reached."--Boston
Transcript.

OVERTONES:

A Book of Temperaments

_WITH FRONTISPIECE PORTRAIT OF RICHARD STRAUSS_

12mo. $1.25 net

CONTENTS: Richard Strauss--Parsifal: A Mystical Melodrama--Literary
Men who loved Music (Balzac, Turgenieff, Daudet, etc.)--The Eternal
Feminine--The Beethoven of French Prose--Nietzsche the
Rhapsodist--Anarchs of Art--After Wagner, What?--Verdi and Boito.

"The whole book is highly refreshing with its breadth of knowledge,
its catholicity of taste, and its inexhaustible energy."--_Saturday
Review, London._

"In some respects Mr. Huneker must be reckoned the most brilliant of
all living writers on matters musical."--_Academy, London._

"No modern musical critic has shown greater ingenuity in the
attempt to correlate the literary and musical tendencies of the
nineteenth century."--_Spectator, London._

BOOKS BY JAMES HUNEKER

EGOISTS

_A BOOK OF SUPERMEN_

Stendhal, Baudelaire, Flaubert, Anatole France, Huysmans, Barres,
Hello, Blake, Nietzsche, Ibsen and Max Stirner.

With portrait of Stendhal, unpublished letter of Flaubert, and
original proof page of "Madame Bovary."

12mo. $1.50 net

"The best thing in the book happily comes first, the essay on
Stendhal. Closely and yet lightly written, full of facts yet as
amusing as a bit of discursive talk, penetrating, candid and very
shrewd, this study would be hard to beat in English, or, for that
matter, in French. It is, too, the best of the essays as regards
discrimination. There are no shades of Stendhal's genius, whether
making for good or for ill, that are missed by this analyst, and,
moreover, both the lights and shadows are justly distributed... He
seeks to show you the color of a man's mind, and it is