t at Pau, had rendered
services to Bernadotte which the latter did not forget. When she
married, in 1831, Auguste Manet, a distinguished judge of the Seine
tribunal, Bernadotte made her many valuable presents and a dowry. Her
three sons were Edouard, Eugene, and Gustave. They inherited from
their rich grandfather, Fournier. Edouard was born at Paris, Rue
Bonaparte, January 23, 1832. His brother Eugene became a doctor of
medicine and later married one of the most gifted of women painters,
Berthe Morisot, who died in 1895, after winning the praise of the most
critical pens in all Europe. Edouard was intended for the bar, but he
threw up his studies and swore he would become a painter. Then he was
sent abroad. He visited South America and other countries, and kept
his eyes wide open, as his sea-pieces proved. After his mother became
a widow he married, in 1863, Susanne Leenhoff, of Delft, Holland. She
was one of the early admirers of Schumann in Paris and played the A
minor piano concerto with orchestra there, and, it is said, with
success. She was an admirer of her husband's genius, and during all
the turmoil of his existence she was a friend and counsellor.
The young couple lived with the elder Mme. Manet in the Rue de
Saint-Petersbourg, and their weekly reception became a rallying centre
for not only _les Jeunes_, but also for such men as Gambetta, Emile
Ollivier, Clemenceau, Antonin Proust, De Banville, Baudelaire,
Duranty--with whom Manet fought a duel over a trifle--Zola, Mallarme,
Abbe Hurel, Monet, and the impressionistic group. Edouard entertained
great devotion for his mother. She saw two of her sons die, Edouard in
1883 (April 30) and Gustave in 1884. (He was an advocate and took
Clemenceau's place as municipal councillor when the latter was elected
Deputy.) Mme. Manet died in 1885. The painter was stricken with
locomotor ataxia, brought on by protracted toil, in 1881. For nearly
three years he suffered, and after the amputation of a leg he
succumbed. His obsequies were almost of national significance. His
widow lived until 1906.
_Manet et manebit_ was the motto of the artist. He lived to paint and
he painted much after his paralytic seizure. He was a brilliant
raconteur, and, as Degas said, was at one time as well known in Paris
as Garibaldi, red shirt and all. The truth is, Manet, after being
forced with his back to the wall, became the active combatant in the
duel with press and public. He was unhappy if
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