t unhappy.
I saw it first on the night of Dec. 12, 1694: soon I shall see it for
the last time. I have sinned and suffered, and have more to suffer yet.
Dec. 29, 1701.

The 'Gallia Christiana' gives the date of the Canon's death as December
31, 1701, 'in bed, of a sudden seizure'. Details of this kind are not
common in the great work of the Sammarthani.

I have never quite understood what was Dennistoun's view of the events I
have narrated. He quoted to me once a text from Ecclesiasticus: 'Some
spirits there be that are created for vengeance, and in their fury lay on
sore strokes.' On another occasion he said: 'Isaiah was a very sensible
man; doesn't he say something about night monsters living in the ruins of
Babylon? These things are rather beyond us at present.'

Another confidence of his impressed me rather, and I sympathized with it.
We had been, last year, to Comminges, to see Canon Alberic's tomb. It is
a great marble erection with an effigy of the Canon in a large wig and
soutane, and an elaborate eulogy of his learning below. I saw Dennistoun
talking for some time with the Vicar of St Bertrand's, and as we drove
away he said to me: 'I hope it isn't wrong: you know I am a
Presbyterian--but I--I believe there will be "saying of Mass and singing
of dirges" for Alberic de Mauleon's rest.' Then he added, with a touch of
the Northern British in his tone, 'I had no notion they came so dear.'

* * * * *

The book is in the Wentworth Collection at Cambridge. The drawing was
photographed and then burnt by Dennistoun on the day when he left
Comminges on the occasion of his first visit.

LOST HEARTS

It was, as far as I can ascertain, in September of the year 1811 that a
post-chaise drew up before the door of Aswarby Hall, in the heart of
Lincolnshire. The little boy who was the only passenger in the chaise,
and who jumped out as soon as it had stopped, looked about him with the
keenest curiosity during the short interval that elapsed between the
ringing of the bell and the opening of the hall door. He saw a tall,
square, red-brick house, built in the reign of Anne; a stone-pillared
porch had been added in the purer classical style of 1790; the windows of
the house were many, tall and narrow, with small panes and thick white
woodwork. A pediment, pierced with a round window, crowned the front.
There were wings to right and left, connected by curious glazed
gallerie