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indecision. Antonia had not heard her enter. (She did not know that the old woman was standing in the kitchen under the picture of the Virgin, with her hands across her eyes like a bandage.) The lovely boudoir called to her, but she would not enter it. "I will go into the guest-chamber," she said; "that is the room set apart for strangers. I think I must always have been a stranger here." She opened the door quietly. A pungent odor of smoke filled her nostrils. She groped for the light and turned it on. Through little horizontal wisps of smoke she saw Harboro lying across the bed, his great chest standing high, his muscular throat exposed to the light, a glint of teeth showing under the sweeping black mustache. His eyes, nearly closed, seemed to harbor an eager light--as if he had travelled along a dark path and saw at last a beacon on a distant hilltop. A pistol was still clasped in his dead hand. The unopened phial Sylvia carried slipped to the floor. She clutched at her lips with both hands, to suppress the scream that arose within her. He had no right to lie so, in this room. That was her thought. He had taken the place she had chosen for her own. And then she thought of Harboro as a stranger, too. Had she ever known him, really? Her first thought recurred. It should have been her right to lie here in the guest-chamber, not Harboro's. And yet, and yet.... The End End of the Project Gutenberg EBook of Children of the Desert, by Louis Dodge *** END OF THIS PROJECT GUTENBERG EBOOK CHILDREN OF THE DESERT *** ***** This file should be named 26550.txt or 26550.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/6/5/5/26550/ Produced by Roger Frank and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if
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