om in it for a sofa, table, and three or four
chairs, and when the storms sweep down the remote valley and the
lightning flashes behind the hills beyond, and the rain beats upon the
roof over my head, imagine the luxury of it.

He worked steadily there that summer. He would go up mornings, after
breakfast, remaining until nearly dinner-time, say until five o'clock
or after, for it was not his habit to eat luncheon. Other members of
the family did not venture near the place, and if he was urgently wanted
they blew a horn. Each evening he brought down his day's performance to
read to the assembled family. He felt the need of audience and approval.
Usually he earned the latter, but not always. Once, when for a day he
put aside other matters to record a young undertaker's love-affair, and
brought down the result in the evening, fairly bubbling with the joy of
it, he met with a surprise. The tale was a ghastly burlesque, its
humor of the most disheartening, unsavory sort. No one spoke during the
reading, nobody laughed: The air was thick with disapproval. His voice
lagged and faltered toward the end. When he finished there was heavy
silence. Mrs. Clemens was the only one who could speak:

"Youth, let's walk a little," she said.

The "Undertaker's Love Story" is still among the manuscripts of
that period, but it is unlikely that it will ever see the light of
print.--[This tale bears no relation to "The Undertaker's Story" in
Sketches New and Old.]

The Tom Sawyer tale progressed steadily and satisfactorily. Clemens
wrote Dr. Brown:

I have been writing fifty pages of manuscript a day, on an average,
for some time now, on a book (a story), and consequently have been
so wrapped up in it, and dead to everything else, that I have fallen
mighty short in letter-writing....

On hot days I spread the study wide open, anchor my papers down with
brickbats, and write in the midst of the hurricane, clothed in the
same thin linen we make shirts of.

He incloses some photographs in this letter.

The group [he says] represents the vine-clad carriageway in front of
the farm-house. On the left is Megalopis sitting in the lap of her
German nurse-maid. I am sitting behind them. Mrs. Crane is in the
center. Mr. Crane next to her. Then Mrs. Clemens and the new baby.
Her Irish nurse stands at her back. Then comes the table waitress,
a young negro girl, born free. Next to her is Auntie Co