t to be consulted at all about Tennessee. I
don't want it even mentioned to me. When I make a suggestion it is
for you to act upon it or throw it aside, but I beseech you never to
ask my advice, opinion, or consent about that hated property.
But it came in good play now. It is the important theme of the story.
Mark Twain was well qualified to construct his share of the tale. He
knew his characters, their lives, and their atmospheres perfectly.
Senator Dilworthy (otherwise Senator Pomeroy, of Kansas, then notorious
for attempted vote-buying) was familiar enough. That winter in
Washington had acquainted Clemens with the life there, its political
intrigues, and the disrepute of Congress. Warner was equally well
qualified for his share of the undertaking, and the chief criticism that
one may offer is the one stated by Clemens himself--that the divisions
of the tale remain divisions rather than unity.
As for the story itself--the romance and tragedy of it--the character of
Laura in the hands of either author is one not easy to forget. Whether
this means that the work is well done, or only strikingly done, the
reader himself must judge. Morally, the character is not justified.
Laura was a victim of circumstance from the beginning. There could be no
poetic justice in her doom. To drag her out of a steamer wreck, only to
make her the victim of a scoundrel, later an adventuress, and finally a
murderess, all may be good art, but of a very bad kind. Laura is a sort
of American Becky Sharp; but there is retributive justice in Becky's
fate, whereas Laura's doom is warranted only by the author's whim. As
for her end, whatever the virtuous public of that day might have done, a
present-day audience would not have pelted her from the stage, destroyed
her future, taken away her life.
The authors regarded their work highly when it was finished, but that
is nothing. Any author regards his work highly at the moment of its
completion. In later years neither of them thought very well of their
production; but that also is nothing. The author seldom cares very
deeply for his offspring once it is turned over to the public charge.
The fact that the story is still popular, still delights thousands of
readers, when a myriad of novels that have been written since it was
completed have lived their little day and died so utterly that even
their names have passed out of memory, is the best verdict as to its
worth.
LXXXIX. PL
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