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one must accept that scene as one of genuine dramatic worth. Too much of the drama in the book is theatre rather than drama, and yet the author's gift is essentially dramatic. He knows how to tell a story on his stage that holds you to the fall of the curtain, and makes you almost patient of the muted violins and the limelight of the closing scene. Such things, you say, do not happen in Brookline, Mass., whatever happens in London or in English country houses; and yet the people have at one time or other convinced you of their verity. Of the things that are not natural, you feel like saying that they are supernatural rather than unnatural, and you own that at its worst the book is worth while in a time when most novels are not worth while. Footnotes "The Right of Way." A Novel. By Gilbert Parker. Harper & Brothers. "The Ruling Passion. Tales of nature and human nature." By Henry Van Dyke. Charles Scribner's Sons. "Spoils and Stratagems Stories of love and politics." By Wm. Allen White. Charles Scribner's Sons. "Foma Gordyeeff." By Maxim Gorky. Translated from the Russian by Isabel F. Hapgood. Charles Scribner's Sons. "Circumstances." By S. Weir Mitchell, M.D. The Century Company. "A Japanese Nightingale." By Onoto Watana. Harper & Brothers. "The Marrow of Tradition." By Charles W. Chesnutt. Houghton, Mifflin & Co. "Lay Down Your Arms. The autobiography of Martha von Tilling." By Bertha von Suttner. Authorized Translation. By T. Holmes. Longmans, Green & Co. "Let Not Man Put Asunder." By Basil King. Harper & Brothers. End of the Project Gutenberg EBook of A Psychological Counter-current in Recent Fiction, by William Dean Howells *** END OF THIS PROJECT GUTENBERG EBOOK PSYCHOLOGICAL COUNTER-CURRENT *** ***** This file should be named 726.txt or 726.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/7/2/726/ Produced by Anthony J. Adam. Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Guten
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