ide-browed, silent, protecting
presence, whose eyes had a sort of commanding sweetness; and I also
remember the great gathering of all the relations from near and far, and
the gray heads of the family friends paying her the homage of respect
and love in the house of her favourite brother, who, a few years later,
was to take the place for me of both my parents.

I did not understand the tragic significance of it all at the time,
though, indeed, I remember that doctors also came. There were no signs
of invalidism about her--but I think that already they had pronounced
her doom unless perhaps the change to a southern climate could
re-establish her declining strength. For me it seems the very
happiest period of my existence. There was my cousin, a delightful,
quick-tempered little girl, some months younger than myself, whose life,
lovingly watched over as if she were a royal princess, came to an end
with her fifteenth year. There were other children, too, many of whom
are dead now, and not a few whose very names I have forgotten. Over all
this hung the oppressive shadow of the great Russian empire--the shadow
lowering with the darkness of a new-born national hatred fostered by
the Moscow school of journalists against the Poles after the ill-omened
rising of 1863.

This is a far cry back from the MS. of "Almayer's Folly," but the public
record of these formative impressions is not the whim of an uneasy
egotism. These, too, are things human, already distant in their appeal.
It is meet that something more should be left for the novelist's
children than the colours and figures of his own hard-won creation. That
which in their grown-up years may appear to the world about them as the
most enigmatic side of their natures and perhaps must remain forever
obscure even to themselves, will be their unconscious response to the
still voice of that inexorable past from which his work of fiction and
their personalities are remotely derived.

Only in men's imagination does every truth find an effective and
undeniable existence. Imagination, not invention, is the supreme master
of art as of life. An imaginative and exact rendering of authentic
memories may serve worthily that spirit of piety toward all things human
which sanctions the conceptions of a writer of tales, and the emotions
of the man reviewing his own experience.

II

As I have said, I was unpacking my luggage after a journey from London
into Ukraine. The MS. of "Almayer'