as a Physician_, by Kenneth Dewhurst. 1964.

_History of Botany._ 1965.

Herbals, Their History and Significance, by George H. M. Lawrence.

A Plant Pathogen Views History, by Kenneth F. Baker.

_Neo-Latin Poetry of the Sixteenth and Seventeenth Centuries._ 1965.

Daniel Rogers: A Neo-Latin Link between the Pleiade and Sidney's
'Areopagus,' by James E. Phillips.

Milton as a Latin Poet, by Don Cameron Allen.

_Milton and Clarendon: Papers on Seventeenth-Century English
Historiography._ 1965.

Milton as Historian, by French R. Fogle.

Clarendon and the Practice of History, by H. R. Trevor-Roper.

_Some Aspects of Seventeenth Century English Printing with Special
Reference to Joseph Moxon_, by Carey S. Bliss. 1965.

_Homage to Yeats, 1865-1965._ 1966.

Yeats and the Abbey Theatre, by Walter Starkie.

Women in Yeats's Poetry, by A. Norman Jeffares.

_Alchemy and Chemistry in the Seventeenth Century._ 1966.

Renaissance Chemistry and the Work of Robert Fludd, by Allen G. Debus.

Some Nonexistent Chemists of the Seventeenth Century, by Robert P.
Multhauf.

_The Uses of Irony._ 1966.

Daniel Defoe, by Maximillian E. Novak.

Jonathan Swift, by Herbert J. Davis.

_Bibliography._ 1966.

Bibliography and Restoration Drama, by Fredson Bowers.

In Pursuit of American Fiction, by Lyle Wright.

_Words to Music._ 1967.

English Song and the Challenge of Italian Monody, by Vincent Duckles.

Sound and Sense in Purcell's 'Single Songs,' by Franklin B. Zimmerman.

_John Dryden._ 1967.

Challenges to Dryden's Biographer, by Charles E. Ward.

Challenges to Dryden's Editor, by H. T. Swedenberg.

_Atoms, Blacksmiths, and Crystals._ 1967.

The Texture of Matter as Viewed by Artisan, Philosopher, and Scientist
in the Seventeenth and Eighteenth Centuries, by Cyril Stanley Smith.

Snowflakes and the Constitution of Crystalline Matter,
by John G. Burke.

_Laplace as a Newtonian Scientist_, by Roger Hahn. 1967.

_Modern Fine Printing._ 1967.

The Private Press: Its Essence and Recrudescence, by H. Richard Archer.

Tradition and Southern California Printers, by Ward Ritchie.

Transcriber's Notes:

Passages in italics are indicated by _underscore_.

Additional spacing after some of the quotes is intentional to indicate
both the end of a quotation and the beginning of a new paragraph as
p