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s when the world was young, there leaned to greet the men whose fancy made them, forms imagined and yet real--human, divine--the archetypes and everlasting patterns of man's deepest sense of what is wonderful in nature. Feeling them there, for ever there, inalienable, ready to start forth and greet successive generations--as the Hamadryad greeted Rhaicos from his father's oak--those mythopoets called them by immortal names. All their pent-up longings, all passions that consume, all aspirations that inflame--the desire for the impossible, which is disease, the day-dreams and visions of the night, which are spontaneous poems--were thus transferred to nature. And nature, responsive to the soul that loves her, gave them back transfigured and translated into radiant beings of like substance with mankind. It was thus, we feel, upon these southern shores that the gods of Greece came into being. The statues in the temples were the true fine flower of all this beauty, the culmination of the poetry which it evoked in hearts that feel and brains that think. In Italy, far more than in any other part of Europe, the life of the present is imposed upon the strata of successive past lives. Greek, Latin, Moorish, and mediaeval civilisations have arisen, flourished, and decayed on nearly the same soil; and it is common enough to find one city, which may have perished twenty centuries ago, neighbour to another that enjoyed its brief prosperity in the middle of our era. There is not, for example, the least sign of either Greek or Roman at Amalfi. Whatever may have been the glories of the republic in the early middle ages, they had no relation to the classic past. Yet a few miles off along the bay rise the ancient Greek temples of Paestum, from a desert--with no trace of any intervening occupants. Poseidonia was founded in the sixth century before Christ, by colonists from Sybaris. Three centuries later the Hellenic element in this settlement, which must already have become a town of no little importance, was submerged by a deluge of recurrent barbarism. Under the Roman rule it changed its name to Paestum, and was prosperous. The Saracens destroyed it in the ninth century of our era; and Robert Guiscard carried some of the materials of its buildings to adorn his new town of Salerno. Since then the ancient site has been abandoned to malaria and solitude. The very existence of Paestum was unknown, except to wandering herdsmen and fishers
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