g-place?

OWL.

When the fierce sounds of terror burst,
And plunder'd herds were passing on,
I turn'd me from the sight accurst
Unto the craig Gunaoch lone;
Some of my kindred by the lands
Of Inch and Fersaid sought repose,
Some by Loch Laggan's lonely sands,
Where their lamenting cries arose!

Here follows a noble burst of poetical fervour in praise of the lonely
rock, and the scenes of the huntsman's youth. The green plains, the wild
harts, the graceful beauty of the brown deer, and the roaring stag, with
the banners, ensigns, and streamers of the race of Cona,--all share in
the poet's admiration. The following constitutes the exordium of the
poem:--

Oh rock of my heart! for ever secure,
The rock where my childhood was cherish'd in love,
The haunt of the wild birds, the stream flowing pure,
And the hinds and the stags that in liberty rove;
The rock all encircled by sounds from the grove,
Oh, how I delighted to linger by thee,
When arose the wild cry of the hounds as they drove,
The herds of wild deer from their fastnesses free!
Loud scream'd the eagles around thee, I ween,
Sweet the cuckoos and the swans in their pride,
More cheering the kid-spotted fawns that were seen,
With their bleating, that sweetly arose by thy side,
I love thee, O wild rock of refuge! of showers,
Of the leaves and the cresses, all glorious to me,
Of the high grassy heights and the beautiful bowers
Afar from the smooth shelly brink of the sea!

The termination of the Sub-Ossianic period brings us to another epoch in
the history of Gaelic poetry. The Bard was now the chieftain's retainer,
at home a crofter and pensioner,[11] abroad a follower of the camp. We
find him cheering the rowers of the galley, with his _birlinn_ chant,
and stirring on the fight with his _prosnuchadh catha_, or battle-song.
At the noted battle of Harlaw,[12] a piece was sung which has escaped
the wreck of that tremendous slaughter, and of contemporary poetry. It
is undoubtedly genuine; and the critics of Gaelic verse are unanimous in
ascribing to it every excellence which can belong either to alliterative
art, or musical excitement. Of the battle-hymn some splendid specimens
have been handed down; and these are to be regarded with an amount of
confidence, from the apparent ease with which the very long "Incitement
to Battle," in the "Garioch