nning the chaplet of
applause, both for the strains of his minstrelsy, and the music of his
violin. These _reunions_ were not without their influence in stimulating
him to more ambitious efforts in versification.
The Shepherd's popularity, while tending the flocks of Mr Laidlaw at
Blackhouse, was not wholly derived from his skill as a versifier, and
capabilities as a musician, but, among the fairer portion of the
creation, was perhaps scarcely less owing to the amenity of his
disposition, combined with the handsomeness of his person. As a
candidate for the honour of feminine approbation, he was successful
alike in the hall and on the green: the rumour of his approach at any
rural assemblage or merry-meeting was the watchword for increased mirth
and happiness. If any malignant rival had hinted aught to his prejudice,
the maidens of the whole district had assembled to vindicate his cause.
His personal appearance at this early period is thus described by Mr
William Laidlaw:--"About nineteen years of age, Hogg was rather above
the middle height, of faultless symmetry of form; he was of almost
unequalled agility and swiftness. His face was then round and full, and
of a ruddy complexion, with bright blue eyes that beamed with gaiety,
glee, and good-humour, the effect of the most exuberant animal spirits.
His head was covered with a singular profusion of light-brown hair,
which he was obliged to wear coiled up under his hat. On entering church
on a Sunday (where he was all his life a regular attender) he used, on
lifting his hat, to raise his right hand to assist a graceful shake of
his head in laying back his long hair, which rolled down his back, and
fell below his loins. And every female eye was upon him, as, with light
step, he ascended the stair to the gallery where he sat."
As the committing of his thoughts to paper became a less irksome
occupation, Hogg began, with commendable prudence, to attempt
composition in prose; and in evidence of his success, he had the
satisfaction to find short essays which he sent to the _Scots Magazine_
regularly inserted in that periodical. Poetry was cultivated at the same
time with unabated ardour, though the bard did not yet venture to expose
his verses beyond the friendly circle of his associates in Ettrick
Forest. Of these, the most judicious was young Laidlaw; who, predicting
his success, urged him to greater carefulness in composition. There was
another stimulus to his improvement
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