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es of the novel, she is shown to us as faced with the problem of becoming "a lonely woman," the problem that meets the unmarried and the childless woman. And the claims and the meaning of religion are confronting her too. The story traces the workings of Hildeguard's mind and the events of her life for a year. Christmas Day in the novel finds Hildeguard a lonely and dissatisfied woman with no "sure anchor." She has had a happy childhood, with many relations and friends around her. One by one these are taken from her--some are dead, others are married--and she sees herself, at the age of thirty-seven, a forlorn figure with no great interest in the future, and her thoughts dwelling mostly on the joyous past. Two or three of Hildeguard's friends are conversing together in her rooms. None of them has had a happy day. Each in her own way is feeling the depression of the lonely woman. Frances, a little Quaker lady, enters the room, as someone remarks on the sadness of Christmas-time. "'Yes,' at last said the Quaker lady; 'I heard what you said as I came in, dear. Christmas is a hard time with all its memories. _I think I have found out what we lonely women want. It is a future_. Our thoughts are always turning to the past. There is not anything to link us on to the next generation. You see other women with their families--it is the future to which they look. However good the past has been, they expect more to come, for their sons and their daughters. Their life goes on in other lives.' Hildeguard clasped her hands round her knees and stared into the fire." "Their life goes on in other lives"--the thought finds a home in Hildeguard's mind. When, soon after, the little Quakeress dies, Hildeguard, looking at the quiet face, says to herself: "_Dear little woman! So you have got your future._" But in her own case she does not wait for death to bring it to her; she faces her problems, and, refusing to be swamped by them, makes the currents carry her bark along to the free, open sea. She flings herself whole-heartedly into causes whose hopes rest in the future. She draws around her children, who need her love and care, and makes them her hostages for the future. In all this we see Elsie Inglis describing a stage in her own life. But before the story brings us round again to Christmas, something else has helped to change the outlook for Hildeguard; she has found herself in relat
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