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The Project Gutenberg EBook of The Busie Body, by Susanna Centlivre This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Busie Body Author: Susanna Centlivre Commentator: Jess Byrd Release Date: September 24, 2005 [EBook #16740] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE BUSIE BODY *** Produced by Louise Hope, David Starner and the Online Distributed Proofreading Team at http://www.pgdp.net The Augustan Reprint Society SUSANNA CENTLIVRE _THE BUSIE BODY_ (1709) With an Introduction by Jess Byrd Publication Number 19 (Series V, No. 3) Los Angeles William Andrews Clark Memorial Library University of California 1949 * * * * * _GENERAL EDITORS_ H. RICHARD ARCHER, _Clark Memorial Library_ RICHARD C. BOYS, _University of Michigan_ EDWARD NILES HOOKER, _University of California, Los Angeles_ H.T. SWEDENBERG, JR., _University of California, Los Angeles_ _ASSISTANT EDITOR_ W. EARL BRITTON, _University of Michigan_ _ADVISORY EDITORS_ EMMETT L. AVERY, _State College of Washington_ BENJAMIN BOYCE, _University of Nebraska_ LOUIS I. BREDVOLD, _University of Michigan_ CLEANTH BROOKS, _Yale University_ JAMES L. CLIFFORD, _Columbia University_ ARTHUR FRIEDMAN, _University of Chicago_ SAMUEL H. MONK, _University of Minnesota_ ERNEST MOSSNER, _University of Texas_ JAMES SUTHERLAND, _Queen Mary College, London_ * * * * * INTRODUCTION Susanna Centlivre (1667?-1723) in _The Busie Body_ (1709) contributed to the stage one of the most successful comedies of intrigue of the eighteenth and nineteenth centuries. This play, written when there was a decided trend in England toward sentimental drama, shows Mrs. Centlivre a strong supporter of laughing comedy. She had turned for a time to sentimental comedy and with one of her three sentimental plays, _The Gamester_ (1704), had achieved a great success. But her true bent seems to have been toward realistic comedies,
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