Sansloy, and explain the double allegory. 12. What is the moral
interpretation of xli-xlii?

13. Explain the Latinisms in ll. 37 and 377. 14. How are the adjectives
used in l. 57? 15. Note change of pronouns in vii from third person to
first. 16. Explain tense of _shold pas_ in l. 83. 17. Note confusion of
pronouns in xxii and xxxv. 18. Examine the _nominative absolute_
construction in st. xiv and xxxix. 19. Explain the ambiguous construction
in l. 165. 20. Parse _her_ in l. 262. 21. Note careless use of relative in
l. 288.

CANTO IV

I. _The Plot:_ In this and the following canto the adventures of the
Redcross Knight are continued from Canto II. Guided by Duessa, he enters
the House of Pride. There he sees Lucifera, the Queen of Pride, attended by
her sinful court. Her six Counselors are described in detail, with an
account of a pleasure trip taken by the Queen and her court. Sansjoy
unexpectedly arrives and challenges the Knight to mortal combat for the
shield of Sansfoy. That night Duessa holds a secret conference with the
Saracen knight.

II. _The Allegory:_ 1. The Christian Soldier, under the influence of false
ideals (Duessa), is exposed to the temptations of the Seven Deadly Sins,
chief among which is Pride. In the midst of these sinful pleasures, he is
assailed by Joylessness, on whose side is Falsehood secretly.

2. The religious and political allegory is here vague and somewhat
discontinuous. There is a hint, however, of the attempts of Mary Queen of
Scots to bring England back to Romanism. The pride and corruption of the
false church and its clergy are set forth. There is also a suggestion of
the perilous position of the English in Ireland.

20. OF EACH DEGREE AND PLACE, of every rank and order of society.

21. HAVING SCAPED HARD, having escaped with difficulty.

24. LAZARS. Leprosy was a common disease in England even as late as the
sixteenth century.

49. MALVENU, ill-come, as opposed to _Bienvenu_, welcome.

73. LIKE PHOEBUS FAIREST CHILDE, Phaethon, the son of Helios. He was killed
by a thunderbolt from the hand of Zeus, as a result of his reckless driving
of the chariot of the sun.

86. A DREADFULL DRAGON, Fallen Pride.

94. This genealogy of Pride is invented by the poet in accord with the
Christian doctrine concerning this sin.

107. SIX WIZARDS OLD, the remaining six of the Seven Deadly Sins, Wrath,
Envy, Lechery, Gluttony, Avarice, and Idleness. See Chaucer's _Parson's
Tale_ for a se