his story as the home of the
Whartons. The descendants of the family he used to visit still live
there, and one of them showed Dr. Wolfe all that was left of "The Four
Corners," Betty Flanigan's hotel, whence Harvey Birch, Cooper's hero,
escaped in Betty's petticoats. Cooper made these familiar scenes of
southern New York the background of his second book, "The Spy, a Tale of
the Neutral Ground," which also was published, without the author's
name, December 22, 1821. Its success called for a new edition the
following March, and its translation into many foreign tongues. Of
Cooper's "Betty Flanigan" Miss Edgeworth declared, "An Irish pen could
not have drawn her better." Except Irving's "Sketch Book," his
"Knickerbocker's History of New York," and Bryant's thin volume of eight
poems, there were few books by native writers when "The Spy" appeared;
and "then it was that the new world awakened to the surprising discovery
of her first _American_ novelist. The glory that Cooper justly won was
reflected on his country, of whose literary independence he was the
pioneer. 'The Spy' had the charm of reality; it tasted of the soil."
While the American press was slow to admit the merit of "The Spy," a
cordial welcome was given the book in "The Port Folio." It was written
by Mrs. Sarah Hall, mother of the editor, and author of "Conversations
on the Bible." This act of timely kindness Cooper never forgot. June 30,
1822, Washington Irving, from London, wrote Mr. John E. Hall, the
editor: "'The Spy' is extremely well spoken of by the best circles,--not
a bit better than it deserves, for it does the author great credit."

[Illustration: THE LOCUSTS OF COOPER'S TIME.]

[Illustration: TITLE-PAGE OF THE FIRST EDITION OF "THE SPY."]

[Illustration: ENOCH CROSBY.]

In 1826, when "The Spy" was before the footlights in Lafayette Theatre,
on Broadway, near Canal Street, Enoch Crosby, the supposed original spy,
appeared in a box with friends, and "was given thunders of applause."
From "Portraits of Cooper's Heroines," by the Rev. Ralph Birdsall of
Cooperstown, is gleaned: On the walls of the Newport home of the Rev.
John Cornell hang two old portraits that have close connection with the
inner history of "The Spy." To their present owner they came from the
New York home of his mother, the late Mrs. Isaac Cornell, and to her
they came from the Somerville, New Jersey, home of her father, Mr.
Richard Bancker Duyckinck, who in his turn received the