. But they were connected by
social ties and by religious and political sympathies. The excesses of
the French Revolution, and the usurpation of Napoleon disappointed them,
as it did many other English liberals, and drove them into the ranks of
the reactionaries. Advancing years brought conservatism, and they became
in time loyal Tories and orthodox churchmen.

William Wordsworth (1770-1850), the chief of the three, and, perhaps,
on the whole, the greatest English poet since Milton, published his
_Lyrical Ballads_ in 1798. The volume contained a few pieces by his
friend Coleridge--among them the _Ancient Mariner_--and its appearance
may fairly be said to mark an epoch in the history of English poetry.
Wordsworth regarded himself as a reformer of poetry; and in the preface
to the second edition of the _Lyrical Ballads_, he defended the theory
on which they were composed. His innovations were twofold: in
subject-matter and in diction. "The principal object which I proposed to
myself in these poems," he said, "was to choose incidents and situations
from common life. Low and rustic life was generally chosen, because, in
that condition, the essential passions of the heart find a better soil
in which they can attain their maturity...and are incorporated with
the beautiful and permanent forms of nature." Wordsworth discarded, in
theory, the poetic diction of his predecessors, and professed to use "a
selection of the real language of men in a state of vivid sensation." He
adopted, he said, the language of men in rustic life, "because such men
hourly communicate with the best objects from which the best part of
language is originally derived."

In the matter of poetic diction Wordsworth did not, in his practice,
adhere to the doctrine of this preface. Many of his most admired poems,
such as the _Lines written near Tintern Abbey_, the great _Ode on the
Intimations of Immortality_, the _Sonnets_, and many parts of his
longest poems, _The Excursion_ and _The Prelude_, deal with philosophic
thought and highly intellectualized emotions. In all of these and in
many others the language is rich, stately, involved, and as remote from
the "real language" of Westmoreland shepherds as is the epic blank verse
of Milton. On the other hand, in those of his poems which were
consciously written in illustration of his theory, the affectation of
simplicity, coupled with a defective sense of humor, sometimes led him
to the selection of vulgar and