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derstands him understands England. This method of studying Shakespeare by reading him has perhaps gone somewhat out of vogue in favour of more roundabout ways of approach, but it is the best method for all that. Shakespeare tells us more about himself and his mind than we could learn even from those who knew him in his habit as he lived, if they were all alive and all talking. To learn what he tells we have only to listen. I think there is no national poet, of any great nation whatsoever, who is so completely representative of his own people as Shakespeare is representative of the English. There is certainly no other English poet who comes near to Shakespeare in embodying our character and our foibles. No one, in this connexion, would venture even to mention Spenser or Milton. Chaucer is English, but he lived at a time when England was not yet completely English, so that he is only half-conscious of his nation. Wordsworth is English, but he was a recluse. Browning is English, but he lived apart or abroad, and was a tourist of genius. The most English of all our great men of letters, next to Shakespeare, is certainly Dr. Johnson, but he was no great poet. Shakespeare, it may be suspected, is too poetic to be a perfect Englishman; but his works refute that suspicion. He is the Englishman endowed, by a fortunate chance, with matchless powers of expression. He is not silent or dull; but he understands silent men, and he enters into the minds of dull men. Moreover, the Englishman seems duller than he is. It is a point of pride with him not to be witty and not to give voice to his feelings. The shepherd Corin, who was never in court, has the true philosophy. 'He that hath learned no wit by nature nor art may complain of good breeding or comes of a very dull kindred.' Shakespeare knew nothing of the British Empire. He was an islander, and his patriotism was centred on This precious stone set in the silver sea, Which serves it in the office of a wall, Or as a moat defensive to a house, Against the envy of less happier lands. When he speaks of Britons and British he always means the Celtic peoples of the island. Once only he makes a slip. There is a passage in _King Lear_ (IV. vi. 249) where the followers of the King, who in the text of the quarto versions are correctly called 'the British party', appear in the folio version as 'the English party'. Perhaps the quartos contain Shakespeare's own correc
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