the palace described--Portraits of prominent
individuals present at the ceremony--Formalities of the abdication--
Universal emotion--Remarks upon the character and career of Charles
--His retirement at Juste.

On the twenty-fifth day of October, 1555, the estates of the Netherlands
were assembled in the great hall of the palace at Brussels. They had been
summoned to be the witnesses and the guarantees of the abdication which
Charles V. had long before resolved upon, and which he was that day to
execute. The emperor, like many potentates before and since, was fond of
great political spectacles. He knew their influence upon the masses of
mankind. Although plain, even to shabbiness, in his own costume, and
usually attired in black, no one ever understood better than he how to
arrange such exhibitions in a striking and artistic style. We have seen
the theatrical and imposing manner in which he quelled the insurrection
at Ghent, and nearly crushed the life forever out of that vigorous and
turbulent little commonwealth. The closing scene of his long and
energetic reign he had now arranged with profound study, and with an
accurate knowledge of the manner in which the requisite effects were to
be produced. The termination of his own career, the opening of his
beloved Philip's, were to be dramatized in a manner worthy the august
character of the actors, and the importance of the great stage where they
played their parts. The eyes of the whole world were directed upon that
day towards Brussels; for an imperial abdication was an event which had
not, in the sixteenth century, been staled by custom.

The gay capital of Brabant--of that province which rejoiced in the
liberal constitution known by the cheerful title of the "joyful
entrance," was worthy to be the scene of the imposing show. Brussels had
been a city for more than five centuries, and, at that day, numbered
about one hundred thousand inhabitants. Its walls, six miles in
circumference, were already two hundred years old. Unlike most Netherland
cities, lying usually upon extensive plains, it was built along the sides
of an abrupt promontory. A wide expanse of living verdure, cultivated
gardens, shady groves, fertile cornfields, flowed round it like a sea.
The foot of the town was washed by the little river Senne, while the
irregular but picturesque streets rose up the steep sides of the hill
like the semicircles and stairways of an amphitheatre. Nearly in the
hea