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hree, in excellent time, to Evergreen Lodge; and at one o'clock the rehearsal began. CHAPTER VI. "I HOPE Miss Vanstone knows her part?" whispered Mrs. Marrable, anxiously addressing herself to Miss Garth, in a corner of the theater. "If airs and graces make an actress, ma'am, Magdalen's performance will astonish us all." With that reply, Miss Garth took out her work, and seated herself, on guard, in the center of the pit. The manager perched himself, book in hand, on a stool close in front of the stage. He was an active little man, of a sweet and cheerful temper; and he gave the signal to begin with as patient an interest in the proceedings as if they had caused him no trouble in the past and promised him no difficulty in the future. The two characters which opened the comedy of The Rivals, "Fag" and "The Coachman," appeared on the scene--looked many sizes too tall for their canvas background, which represented a "Street in Bath"--exhibited the customary inability to manage their own arms, legs, and voices--went out severally at the wrong exits--and expressed their perfect approval of results, so far, by laughing heartily behind the scenes. "Silence, gentlemen, if you please," remonstrated the cheerful manager. "As loud as you like _on_ the stage, but the audience mustn't hear you _off_ it. Miss Marrable ready? Miss Vanstone ready? Easy there with the 'Street in Bath'; it's going up crooked! Face this way, Miss Marrable; full face, if you please. Miss Vanstone--" he checked himself suddenly. "Curious," he said, under his breath--"she fronts the audience of her own accord!" Lucy opened the scene in these words: "Indeed, ma'am, I traversed half the town in search of it: I don't believe there's a circulating library in Bath I haven't been at." The manager started in his chair. "My heart alive! she speaks out without telling!" The dialogue went on. Lucy produced the novels for Miss Lydia Languish's private reading from under her cloak. The manager rose excitably to his feet. Marvelous! No hurry with the books; no dropping them. She looked at the titles before she announced them to her mistress; she set down "Humphrey Clinker" on "The Tears of Sensibility" with a smart little smack which pointed the antithesis. One moment--and she announced Julia's visit; another--and she dropped the brisk waiting-maid's courtesy; a third--and she was off the stage on the side set down for her in the book. The manager wheeled rou
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