of my perplexities (I fear he must have been growing a
little tired of them) he pointed out that there was no need to determine
my future absolutely. Then he added: "You have the style, you have the
temperament; why not write another?" I believe that as far as one man
may wish to influence another man's life Edward Garnett had a great
desire that I should go on writing. At that time, and I may say, ever
afterwards, he was always very patient and gentle with me. What strikes
me most however in the phrase quoted above which was offered to me in a
tone of detachment is not its gentleness but its effective wisdom. Had
he said, "Why not go on writing," it is very probable he would have
scared me away from pen and ink for ever; but there was nothing either
to frighten one or arouse one's antagonism in the mere suggestion to
"write another." And thus a dead point in the revolution of my affairs
was insidiously got over. The word "another" did it. At about eleven
o'clock of a nice London night, Edward and I walked along interminable
streets talking of many things, and I remember that on getting home
I sat down and wrote about half a page of "An Outcast of the Islands"
before I slept. This was committing myself definitely, I won't say to
another life, but to another book. There is apparently something in my
character which will not allow me to abandon for good any piece of work
I have begun. I have laid aside many beginnings. I have laid them aside
with sorrow, with disgust, with rage, with melancholy and even with
self-contempt; but even at the worst I had an uneasy consciousness that
I would have to go back to them.

"An Outcast of the Islands" belongs to those novels of mine that were
never laid aside; and though it brought me the qualification of "exotic
writer" I don't think the charge was at all justified.

For the life of me I don't see that there is the slightest exotic spirit
in the conception or style of that novel. It is certainly the most
_tropical_ of my eastern tales. The mere scenery got a great hold on
me as I went on, perhaps because (I may just as well confess that) the
story itself was never very near my heart.

It engaged my imagination much more than my affection. As to my feeling
for Willems it was but the regard one cannot help having for one's own
creation. Obviously I could not be indifferent to a man on whose head I
had brought so much evil simply by imagining him such as he appears in
the novel--and