s box. Once
more he gathered together his strength, called again, and advanced a
little, saying to himself that a step or two more perhaps meant safety.
Then, all at once, he fell prostrate upon his side, unable to proceed
farther; and his voice, weaker and weaker, gradually failed him.
Fortunately, the coachman had heard him cry, and realized that something
had happened. He jumped from his box, ran to his master, lifted him up,
and carried him to the carriage. As the light of the lamps fell on the
torn and bloody garments of the Count, whose pallid and haggard face was
that of a dead man, Pierre uttered a cry of fright.
"Great heavens! Where have you been?" he exclaimed. "You have been
attacked?"
"The coup--place me in the coup."
"But there are doctors here. I will go--"
"No--do nothing. Make no noise. Take me to Paris--I do not wish any one
to know--To Paris--at once," and he lost consciousness.
Pierre, with some brandy he luckily had with him, bathed his master's
temples, and forced a few drops between his lips; and, when the Count
had recovered, he whipped up his horse and galloped to Paris, growling,
with a shrug of the shoulders:
"There must have been a woman in this. Curse the women! They make all
the trouble in the world."
It was daybreak when the coup reached Paris.
Pierre heard, as they passed the barrier, a laborer say to his mate
"That's a fine turnout. I wish I was in the place of the one who is
riding inside!"
"So do I!" returned the other.
And Pierre thought, philosophically: "Poor fools! If they only knew!"
CHAPTER XVIII. "THERE IS NO NEED OF ACCUSING ANYONE."
At the first streak of daylight, Marsa descended, trembling, to the
garden, and approached the little gate, wondering what horror would meet
her eyes.
Rose-colored clouds, like delicate, silky flakes of wool, floated across
the blue sky; the paling crescent of the moon, resembling a bent thread
of silver wire, seemed about to fade mistily away; and, toward the east,
in the splendor of the rising sun, the branches of the trees stood out
against a background of burnished gold as in a Byzantine painting. The
dewy calm and freshness of the early morning enveloped everything as in
a bath of purity and youth.
But Marsa shuddered as she thought that perhaps this beautiful day was
dawning upon a dead body. She stopped abruptly as she saw the gardener,
with very pale face, come running toward her.
"Ah, Mademoisel
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