passed directly
from the information in regard to the illness of Princess Z. to an
allegorical tale in which Andras saw the secret of his life and the
wounds of his heart laid bare.

A LITTLE PARISIAN ROMANCE

Like most of the Parisian romances of to-day, the little romance in
question is an exotic one. Paris belongs to foreigners. When the
Parisians, whose names appear in the chronicles of fashion, are not
Americans, Russians, Roumanians, Portuguese, English, Chinese, or
Hungarians, they do not count; they are no longer Parisians. The
Parisians of the day are Parisians of the Prater, of the Newski
Perspective or of Fifth Avenue; they are no longer pureblooded
Parisians. Within ten years from now the boulevards will be
situated in Chicago, and one will go to pass his evenings at the
Eden Theatre of Pekin. So, this is the latest Parisian romance:
Once upon a time there was in Paris a great lord, a Moldavian, or a
Wallachian, or a Moldo-Wallachian (in a word, a Parisian--a Parisian
of the Danube, if you like), who fell in love with a young Greek,
or Turk, or Armenian (also of Paris), as dark-browed as the night,
as beautiful as the day. The great lord was of a certain age, that
is, an uncertain age. The beautiful Athenian or Georgian, or
Circassian, was young. The great lord was generally considered to
be imprudent. But what is to be done when one loves? Marry or
don't marry, says Rabelais or Moliere. Perhaps they both said it.
Well, at all events, the great lord married. It appears, if well-
informed people are to be believed, that the great Wallachian lord
and the beautiful Georgian did not pass two hours after their
marriage beneath the same roof. The very day of their wedding,
quietly, and without scandal, they separated, and the reason of this
rupture has for a long time puzzled Parisian high-life. It was
remarked, however, that the separation of the newly-married pair was
coincident with the disappearance of a very fashionable attache who,
some years ago, was often seen riding in the Bois, and who was then
considered to be the most graceful waltzer of the Viennese, or
Muscovite, or Castilian colony of Paris. We might, if we were
indiscreet, construct a whole drama with these three people for our
dramatis personae; but we wish to prove that reporters (different
in this from women) sometimes know how to kee