FREE BOOKS

Author's List




PREV.   NEXT  
|<   87   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102   103   104   105   106   107   108   109   110   111  
112   113   114   115   116   117   118   119   120   121   122   123   124   125   126   127   128   129   130   131   132   133   134   135   136   >>   >|  
d All this discussion of fetishes arose out of our author's selection of the subject as an example of the viciousness of our method. He would not permit us 'simply to place side by side' savage and Greek myths and customs, because it did harm (i. 195); and the harm done was proved by the Nemesis of De Brosses. Now, first, a method may be a good method, yet may be badly applied. Secondly, I have shown that the Nemesis does not attach to all of us modern anthropologists. Thirdly, I have proved (unless I am under some misapprehension, which I vainly attempt to detect, and for which, if it exists, I apologise humbly) that Mr. Max Muller, on p. 15, accepts the doctrine which he denounces on p. 197. {126} Again, I am entirely at one with Mr. Max Muller when he says (p. 210) 'we have as yet really no scientific treatment of Shamanism.' This is a pressing need, but probably a physician alone could do the work--a physician double with a psychologist. See, however, the excellent pages in Dr. Tylor's Primitive Culture, and in Mr. William James's Principles of Psychology, on 'Mediumship.' THE RIDDLE THEORY What the Philological Theory Needs The great desideratum of the philological method is a proof that the 'Disease of Language,' ex hypothesi the most fertile source of myths, is a vera causa. Do simple poetical phrases, descriptive of heavenly phenomena, remain current in the popular mouth after the meanings of appellatives (Bright One, Dark One, &c.) have been forgotten, so that these appellatives become proper names--Apollo, Daphne, &c.? Mr. Max Muller seems to think some proof of this process as a vera causa may be derived from 'Folk Riddles.' The Riddle Theory We now come, therefore, to the author's treatment of popular riddles (devinettes), so common among savages and peasants. Their construction is simple: anything in Nature you please is described by a poetical periphrasis, and you are asked what it is. Thus Geistiblindr asks, What is the Dark One That goes over the earth, Swallows water and wood, But is afraid of the wind? &c. Or we find, What is the gold spun from one window to another? The answers, the obvious answers, are (1) 'mist' and (2) 'sunshine.' In Mr. Max Muller's opinion these riddles 'could not but lead to what we call popular myths or legends.' Very probably; but this does not aid us to accept the philological method. The very essence of
PREV.   NEXT  
|<   87   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102   103   104   105   106   107   108   109   110   111  
112   113   114   115   116   117   118   119   120   121   122   123   124   125   126   127   128   129   130   131   132   133   134   135   136   >>   >|  



Top keywords:

method

 

Muller

 

popular

 
riddles
 

physician

 

Theory

 

simple

 
poetical
 

philological

 

appellatives


treatment

 

proved

 
author
 

Nemesis

 

answers

 
sunshine
 

Bright

 

opinion

 

window

 

meanings


forgotten
 

obvious

 
proper
 

accept

 

essence

 

fertile

 

source

 

legends

 
current
 

Apollo


remain
 

phenomena

 

phrases

 

descriptive

 
heavenly
 

construction

 

Nature

 

hypothesi

 
peasants
 

savages


Swallows

 

Geistiblindr

 

periphrasis

 

derived

 
process
 

Riddles

 

Riddle

 

afraid

 
devinettes
 

common