Parmentier.

{7} See 'Totemism,' infra.

{8} Longmans.

{10a} M. R. R. i. 155-160.

{10b} Tylor's Prim. Cult. i. 145.

{10c} Turner's Samoa, p. 219.

{10d} Gill's Myths and Songs, p. 79.

{11} M. R. R. ii. 160.

{14} Metam. i. 567.

{15a} Grimm, cited by Liebrecht in Zur Volkskunde, p. 17.

{15b} Primitive Culture, i. 285.

{15c} Op. cit. i. 46-81.

{16} M. R. R. i. 160.

{17} Erratum: This is erroneous. See Contributions, &c., vol. i. p. 6,
where Mr. Max Muller writes, 'Tuna means eel.' This shows why Tuna, i.e.
Eel, is the hero. His connection, as an admirer, with the Moon, perhaps
remains obscure.

{18} Phonetically there may be 'no possible objection to the derivation
of [Greek] from a Sanskrit form, *Apa-var-yan, or *Apa-val-yan' (ii.
692); but, historically, Greek is not derived from Sanskrit surely!

{20a} Mythologische Forschungen, p. 275.

{20b} Baumkultus, p. 297. Berlin: 1875.

{21a} Antike Wald- und Feldkulte, p. 257. Referring to Baumkultus, p.
297.

{21b} Oriental and Linguistic Studies, second series, p. 160. La
Religion Vedique, iii. 293.

{22} 1, viii. cf. i. 27.

{23} Riv. Crit. Mensile. Geneva, iii. xiv. p. 2.

{25a} Custom and Myth, p. 3, citing Revue de l'Hist. des Religions, ii.
136.

{25b} M. R. R. i. 24.

{25c} Revue de l'Hist. des Religions, xii. 256.

{26} Op. cit. p. 253.

{27} Op. cit. xii. 250.

{28a} P. 104, infra.

{28b} Revue de l'Hist. des Religions, xii. 259.

{29a} M. R. R. i. 25.

{29b} Rev. xii. 247.

{30} M. R. R. i. 24.

{31a} Rev. xii. 277.

{31b} Rev. xii. 264.

{31c} M. R. R. i. 44, 45.

{32a} Custom and Myth, p. 51.

{32b} Rev. xii. 262.

{34} Odyssey, book ix.

{37} C. and M. p. 56.

{42a} W. u. F. K. xxiii.

{42b} M. R. R. i. 23.

{42c} W. u. F. K. xvii.

{46} Golden Bough, 1. ix.

{48} [Greek]. Dionys. i. 80.

{51a} Pausanias, viii. 25.

{51b} Myth. Forsch. p. 244.

{51c} Iliad, xx. 226.

{52} Myth. Forsch, p. 265

{54} September 19, 1875. Myth. Forsch. xiv.

{55} For undeniable solar myths see M. R. R. i. 124-135.

{56} Op. cit. p. xx.

{60} Folk Lore Society.

{61a} Von einem der vorzuglichsten Schiriftgelehrten, Annana, in
klassischer Darstellung aufgezeichneten Marchens, p. 240.

{61b} Custom and Myth.

{62a} See Preface to Mrs. Hunt's translation of Grimm's Marchen.

{62b} P. 309.

{65} x. 17. Cf. Muir, Sanskrit Texts, v. 27