that it was livelier in the towns in consequence of the
arrival of many wealthy families from Moscow, and as in everything that
went on in Russia at that time a special recklessness was noticeable, an
"in for a penny, in for a pound--who cares?" spirit, and the inevitable
small talk, instead of turning on the weather and mutual acquaintances,
now turned on Moscow, the army, and Napoleon.
The society gathered together at the governor's was the best in
Voronezh.
There were a great many ladies and some of Nicholas' Moscow
acquaintances, but there were no men who could at all vie with the
cavalier of St. George, the hussar remount officer, the good-natured
and well-bred Count Rostov. Among the men was an Italian prisoner, an
officer of the French army; and Nicholas felt that the presence of that
prisoner enhanced his own importance as a Russian hero. The Italian
was, as it were, a war trophy. Nicholas felt this, it seemed to him
that everyone regarded the Italian in the same light, and he treated him
cordially though with dignity and restraint.
As soon as Nicholas entered in his hussar uniform, diffusing around him
a fragrance of perfume and wine, and had uttered the words "better late
than never" and heard them repeated several times by others, people
clustered around him; all eyes turned on him, and he felt at once that
he had entered into his proper position in the province--that of a
universal favorite: a very pleasant position, and intoxicatingly so
after his long privations. At posting stations, at inns, and in the
landowner's snuggery, maidservants had been flattered by his notice, and
here too at the governor's party there were (as it seemed to Nicholas)
an inexhaustible number of pretty young women, married and unmarried,
impatiently awaiting his notice. The women and girls flirted with him
and, from the first day, the people concerned themselves to get this
fine young daredevil of an hussar married and settled down. Among these
was the governor's wife herself, who welcomed Rostov as a near relative
and called him "Nicholas."
Catherine Petrovna did actually play valses and the ecossaise, and
dancing began in which Nicholas still further captivated the provincial
society by his agility. His particularly free manner of dancing even
surprised them all. Nicholas was himself rather surprised at the way he
danced that evening. He had never danced like that in Moscow and would
even have considered such a very free
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