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r, his admirer and his shrewd observer. Landor, always devoted to pictures, but without much judgment, now added to his collection; Browning in one of his letters to Forster tells how he has found him "particularly delighted by the acquisition of three execrable daubs by Domenichino and Gaspar Poussin most benevolently battered by time". Another friend says that he had a habit of attributing all his doubtful pictures to Corregoio. "He cannot," Browning continues, "in the least understand that he is at all wrong, or injudicious, or unfortunate in anything.... Whatever he may profess, the thing he really loves is a pretty girl to talk nonsense with." Of the old man in the company of fair listeners we have glimpses in the reminiscences of Mrs. Fields in the "Atlantic Monthly" in 1866. She also describes him as in a cloud of pictures. There with his Pomeranian Giallo within fondling distance, the poet, seated in his arm-chair, fired comments upon everything. Giallo's opinion was asked on all subjects, and Landor said of him that an approving wag of his tail was worth all the praise of all the "Quarterlies ". It was Giallo who led to the profound couplet-- He is foolish who supposes Dogs are ill that have hot noses. Mrs. Fields tells how, after some classical or fashionable music had been played, Landor would come closer to the piano and ask for an old English ballad, and when "Auld Robin Gray," his favourite of all, was sung, the tears would stream down his face. "Ah, you don't know what thoughts you are recalling to the troublesome old man." But we have Browning's word that he did not spend much time in remorse or regret, while there was the composition of the pretty little tender epigrams of this last period to amuse him and Italian politics to enchain his sympathy. His impulsive generosity led him to give his old and trusted watch to the funds for Garibaldi's Sicilian expedition; but Browning persuaded him to take it again. For Garibaldi's wounded prisoners he wrote an Italian dialogue between Savonarola and the Prior of S. Marco. The death of Mrs. Browning in 1861 sent Browning back to England, and Landor after that was less cheerful and rarely left the house. His chief solace was the novels of Anthony Trollope and G.P.R. James. In his last year he received a visit from a young English poet and enthusiast for poetry, one Algernon Charles Swinburne, who arrived in time to have a little glowing talk w
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