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complete the carpeting of a Persian room, being placed on either side of a centre rug, with two shorter strips at the top and bottom. More fine specimens of these long strips are now to be found than of smaller sizes, and they should not be neglected by the collector. By artistic arrangement and device they will accommodate themselves to almost any house, somewhere, and few choicer prizes can be bought to-day. [Illustration: PLATE IV. ANTIQUE SEHNA FROM THE COLLECTION OF THE AUTHOR Size: 2.4 x 3.1 This is apparently one side of a pillow. The other side, which is also in the possession of the author, is exactly similar, except that the colours are reversed, the medallion being red and the corners blue. This mat has 33 to 36 knots to the running inch, making over 1,000 to the square inch, or more than a million knots in the small piece.] The Persians are eminently the best rugs to buy. They are usually finer and more closely woven than the others, and more graceful in design, and seem to show a more refined and aristocratic art. The Kirmans would be the first choice, and are to the rug dealer what diamonds are to the jeweller, a staple article which he must keep in stock, and which finds a ready sale. But even were it possible to buy a true diamond Kirman, the very catholicity of taste to which diamonds and Kirmans appeal detract from their merit in the eyes of those who seek for more individuality. For the new Kirmans, fine, soft, and clean as they look, are all very much alike, and mostly copies or variations of a few particular antique forms, with a floriated medallion in the centre, or a full floriated panel, and floriated corners. A familiar design is a vase of flowers in graceful spread, with birds perching on the sprays. Or, again, they show some adaptation of "the tree of life." This symbolical figure appears in many forms, now denuded of its leaves like the "barren fig tree," and covering the whole rug, and now in smaller form as "the cypress tree," or the sacred "cocos," three or more to each rug, in full foliage and looking for all the world like certain wooden fir trees. It needs only the combination of these trees with the stiff wooden animals, far more wonderful than Noah ever knew, and tiny human figures, which might be Shem, Ham, and Japhet, all of which adorn these rugs, to remind one of the Noah's ark of childhood. Representations of birds, men, and animals never appear on Turkish r
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