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The Project Gutenberg EBook of The Oriental Rug, by William D. Ellwanger This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Oriental Rug A Monograph on Eastern Rugs and Carpets, Saddle-Bags, Mats & Pillows, with a Consideration of Kinds and Classes, Types, Borders, Figures, Dyes, Symbols, etc. Together with Some Practical Advice to Collectors. Author: William D. Ellwanger Release Date: July 13, 2010 [EBook #33144] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE ORIENTAL RUG *** Produced by The Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) THE ORIENTAL RUG [Illustration: PLATE I. ANTIQUE LADIK _Prayer Rug_ FROM THE COLLECTION OF MR. GEORGE H. ELLWANGER Size: 3.10 x 6] THE ORIENTAL RUG A MONOGRAPH ON EASTERN RUGS AND CARPETS, SADDLE-BAGS, MATS & PILLOWS. WITH A CONSIDERATION OF KINDS AND CLASSES, TYPES, BORDERS, FIGURES, DYES, SYMBOLS ETC. TOGETHER WITH SOME PRACTICAL ADVICE TO COLLECTORS. BY W. D. ELLWANGER Author of "A Summer Snowflake" NEW YORK: DODD, MEAD & COMPANY. 1909 _Copyright, 1903_ BY DODD, MEAD AND COMPANY Published September, 1903 PREFACE That Oriental rugs are works of art in the highest sense of the term, and that fine antique specimens, of even modest size, have a financial value of ten, fifteen, or thirty-eight thousand dollars, has been recently determined at public auction. At this auction, several nations had a representative voice in the bidding, and the standard of price was fairly established. The value of rugs may have been imaginary and sentimental heretofore; it is now a definite fact, with figures apparently at the minimum. What the maximum may prove, remains to be seen. Choice old rugs, therefore, to-day come into the same class with genuine paintings of the old Dutch School; with canvases of Teniers, Ruysdael, Cuyp, Ostade, or whatever similar artist's work may have escaped the museums. They vie in prestige with the finest examples of Corot, D
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