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le, 'but it hurts me to hear you speak of yourself as a woman. You are only a child and I hate women.' 'So do I,' said Clara, all her anxiety now allayed. With Verschoyle for her friend she did not care how soon the committee was dissolved. She had always hated the committee, for, as her grandfather used to say, a committee is a device by which the incompetent check the activities of the competent.... She liked Verschoyle. He was a lonely little man and she thought whimsically that only lonely people could swallow the birds and fishes which are so necessary as the finishing touch to the artist's vision. 'I must be going now,' she said to her companion's surprise. 'Can't I take you in my car?' he asked, concealing his astonishment at her speaking of a home elsewhere. She consented, and he took her back to her rooms, leaving Charles and the Irish poet still rhapsodising in a somewhat discordant duet. VII SUPPER Idealists must certainly be added to the drunkards and children over whom a specially benign deity watches: a flood of disaster by sea and land gave a plentiful crop of news and made it impossible for the papers to publish Charles Mann's scheme. His committee's dread of being made publicly ridiculous evaporated, and, as Lord Verschoyle did not resign, no other member did, and Griffenberg simply sent in a letter of protest and announced that he was too busy to take any more active part in the proceedings. He went away and denounced the theatre as a vulgar institution, which no artist could enter without losing his soul. He said this publicly in a newspaper and produced one of those delightful controversies which in the once happy days of unlimited advertisement provided an opportunity for mutual recrimination upon an impersonal basis. Verschoyle promised Charles thirty thousand pounds if he could raise another similar amount, and Charles regarded himself as worth thirty thousand already, raised Mr Clott's salary, and condescended with so much security to begin really to work at _The Tempest_. Clara, who was still playing small parts at the Imperium, found to her dismay that Sir Henry had rather cooled towards the Mann production and was talking of other plays, a huge American success called _The Great Beyond_, and a French drama of which he had acquired the rights some few years previously. This was really alarming, for she knew that if she could not engage Charles speedily he would
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