FREE BOOKS

Author's List




PREV.   NEXT  
|<   11   12   13   14   15   16   17   18   19   20   21   22   23   24   25   26   27   28   29   30   31   32   33   34   35  
36   37   38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   >>   >|  
ipot with two-thirds of clean water and left to soak during the night will only require warming in the morning by placing the pot in a larger one and surrounding it with hot water. The quantity of glue being varied according to requirement is far preferable to the old-fashioned iron glue-pot which darkens the glue and is in other ways objectionable. If the injury or want of adhesion extends only to a trifling distance round the edge and has happened at a time when good glue and proper appliances are not to hand, the routine pursued must still be the same as if they were: first by obtaining a well-worn table knife, the thinner the better (but if the household knives happen to be new and strong you may call on some artist friend, borrow his palette knife, clean it, have ready some clear water, a cushion or a substitute, and some rather thick gum). If time will allow, the strings should be taken off the violin, and then placing it face downwards on the cushion, the knife having been dipped in the water, can be inserted gently at the part requiring attention. (Diagram 1.) [Illustration: DIAGRAM 1.] You will soon tell by the sound in moving the knife about whether the separation has been recent or of long standing, if the latter, the slipping of the knife will cause a slight grating sound and when drawn out will show signs of dirt. The knife must be rinsed and re-inserted a sufficient number of times until all the evidence of dirt has disappeared, the knife coming away clean and not gritty. Care should be taken meanwhile to keep the violin on the tilt so that the water introduced on the surface of the knife does not run inside but outward to the edge; the parts should also each time be wiped by a clean absorbent piece of cotton or linen. The knife can then be charged with gum instead of water and inserted as before, the process being finished by the wiping. But now the question will arise how about the closing up and pressing together of the parts. For this, assuming that the part to be rejoined is not of great extent, the chin-rest--almost every player now uses one--can be applied to the part and fixed in the usual way. If there is not one to be had, some pieces of ordinary deal, the softer the better--fire wood will do--cut into shape as depicted (Diagram 2) can be fitted, but very loosely to allow of thin wedges being used to tighten the grip (Diagram 3). They must be very gently pushed in, or the border of the vio
PREV.   NEXT  
|<   11   12   13   14   15   16   17   18   19   20   21   22   23   24   25   26   27   28   29   30   31   32   33   34   35  
36   37   38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   >>   >|  



Top keywords:

inserted

 

Diagram

 

violin

 

cushion

 

gently

 

placing

 
absorbent
 

outward

 

inside

 
cotton

thirds

 

question

 

wiping

 

finished

 
charged
 

process

 
surface
 

evidence

 

number

 

sufficient


rinsed
 

disappeared

 

coming

 

introduced

 

gritty

 
closing
 

depicted

 

fitted

 

softer

 

loosely


pushed

 

border

 

wedges

 

tighten

 

ordinary

 
rejoined
 

extent

 
assuming
 

pressing

 

pieces


player

 
applied
 

thinner

 

fashioned

 

household

 

obtaining

 
knives
 

happen

 
artist
 
friend