FREE BOOKS

Author's List




PREV.   NEXT  
|<   155   156   157   158   159   160   161   162   163   164   165   166   167   168   169   170   171   172   173   174   175   176   177   178   179  
180   181   182   183   184   185   186   187   188   189   190   191   192   193   194   195   196   197   198   199   200   201   202   203   204   >>   >|  
as, not that the man should play egregiously ill, but that the effect of good music should be produced by his evil playing. The people were evidently excited to sorrow when the attempt was at a mournful strain, and to ardour when the lilt took a loftier flight. To me who stood by, the difference of intention on the part of the performer was hardly discernible; indeed to be recognised only by the occasional catching of some familiar word in the burden of the song. The same observation may apply to the current Greek poetry. There can be no mistake in the conclusion, that it produces the effect of real poetry on the people, urging them in the direction whither works the imagination of the poet. But men of taste have come to, and can come to, but one decision on the judgment of Romaic poetasters. The spirit of poetry has died out of, and is become extinct from the genius of their tongue. It is but the enthusiasm of by-gone days, the inkling of Attic glory, that lingers about the circumstances of their modern productions, and cheats men with the mere similarity of idiom. Poetry is of universal application, and were the pretensions of the modern Greek genuine, his productions would touch the hearts of the poetic of other lands. These fellows who entertained us on this occasion, struck a good deal of enthusiasm out of their jingle,--enthusiasm to themselves, be it remarked, and not to us. I saw them grow sad in face, while the strain proceeded at a slow pace, and the _voce di canto_ degenerated into a more lugubrious howl than ever. By these tokens, I judged them to be singing some tale of sorrow, and so it seemed they were. The gentleman who performed for us the part of Chorus, gave us to wit, that they were lamenting the fall of Algiers, and imprecating maledictions on the head of the French. This they evidently considered a delicate and appropriate attention to us as Englishmen. I was only surprised to find they entered so far into the family distinctions of the Franks. There was some heart, too, in the manner in which they gesticulated and declaimed; and I have little doubt but that they were in earnest--especially if any of these happened to have friends or relations down that way, who had been roused out of house and home by the Gallic Avatar. When they were tired with singing, or perhaps presumed that they had therewith tired us, they took to playing the fool. Not merely in a general sense, in which they may be said to
PREV.   NEXT  
|<   155   156   157   158   159   160   161   162   163   164   165   166   167   168   169   170   171   172   173   174   175   176   177   178   179  
180   181   182   183   184   185   186   187   188   189   190   191   192   193   194   195   196   197   198   199   200   201   202   203   204   >>   >|  



Top keywords:
poetry
 

enthusiasm

 

productions

 

singing

 

modern

 

sorrow

 

strain

 

effect

 

people

 
playing

evidently

 

French

 

performed

 

gentleman

 

lamenting

 

imprecating

 

Algiers

 
Chorus
 
maledictions
 
judged

proceeded

 

degenerated

 

tokens

 

considered

 

lugubrious

 

egregiously

 

Englishmen

 

roused

 
Gallic
 

friends


relations
 
Avatar
 

general

 
presumed
 
therewith
 
happened
 

entered

 

family

 
distinctions
 
surprised

attention
 

Franks

 

earnest

 
declaimed
 
manner
 

gesticulated

 

delicate

 

struck

 

urging

 

direction