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ell, I'm glad. I thought they'd like it." Eugene could have cried. Poor Shotmeyer! He wasn't a good artist, but he had a good heart. He would never forget him. CHAPTER XVII This one significant sale with its subsequent check of seventy-five dollars and later the appearance of the picture in color, gave Eugene such a lift in spirit that he felt, for the time being, as though his art career had reached a substantial basis, and he began to think of going to Blackwood to visit Angela. But first he must do some more work. He concentrated his attention on several additional scenes, doing a view of Greeley Square in a sopping drizzle, and a picture of an L train speeding up the Bowery on its high, thin trestle of steel. He had an eye for contrasts, picking out lights and shadows sharply, making wonderful blurs that were like colors in precious stones, confused and suggestive. He took one of these after a month to _Truth_, and again the Art Director was his victim. He tried to be indifferent, but it was hard. The young man had something that he wanted. "You might show me anything else you do in this line," he said. "I can use a few if they come up to these two." Eugene went away with his head in the air. He was beginning to get the courage of his ability. It takes quite a number of drawings at seventy-five and one hundred dollars each to make a living income, and artists were too numerous to make anyone's opportunity for immediate distinction easy. Eugene waited months to see his first drawing come out. He stayed away from the smaller magazines in the hope that he would soon be able to contribute to the larger ones, but they were not eagerly seeking new artists. He met, through Shotmeyer, two artists who were living in one studio in Waverly Place and took a great liking to them. One of them, McHugh, was an importation from Wyoming with delicious stories of mountain farming and mining; the other, Smite, was a fisher lad from Nova Scotia. McHugh, tall and lean, with a face that looked like that of a raw yokel, but with some gleam of humor and insight in the eyes which redeemed it instantly, was Eugene's first choice of a pleasing, genial personality. Joseph Smite had a sense of the sea about him. He was short and stout, and rather solidly put together, like a blacksmith. He had big hands and feet, a big mouth, big, bony eye sockets and coarse brown hair. When he talked, ordinarily, it was with a slow, halti
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