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clothes, and O Heaven! I don't know what all--more things than I had ever seen in my whole life before; and here in this quiet side street and this unpretentious house I find this room. Nothing seems to show on the outside; everything seems crowded to suffocation with luxury or art value on the inside." "Are you talking about this room?" she ventured. "Why, yes," he replied. "Take note, Mr. Wheeler," she called, over her shoulder to her young editor friend. "This is the first time in my life that I have been accused of possessing luxury. When you write me up again I want you to give me credit for luxury. I like it." "I'll certainly do it," said Wheeler. "Yes. 'Art values' too." "Yes. 'Art values.' I have it," said Wheeler. Eugene smiled. He liked her vivacity. "I know what you mean," she added. "I've felt the same thing about Paris. You go into little unpretentious places there and come across such wonderful things--heaps and heaps of fine clothes, antiques, jewels. Where was it I read such an interesting article about that?" "Not in _Craft_ I hope?" ventured Wheeler. "No, I don't think so. _Harper's Bazaar_, I believe." "Oh, pshaw!" exclaimed Wheeler. "_Harper's Bazaar!_ What rot!" "But that's just what you ought to have. Why don't you do it--right?" "I will," he said. Eugene went to the piano and turned over a pile of music. Again he came across the unfamiliar, the strange, the obviously distinguished--Grieg's "Arabian Dance"; "Es war ein Traum" by Lassen; "Elegie" by Massenet; "Otidi" by Davydoff; "Nymphs and Shepherds" by Purcell--things whose very titles smacked of color and beauty. Gluck, Sgambati, Rossini, Tschaikowsky--the Italian Scarlatti--Eugene marvelled at what he did not know about music. "Play something," he pleaded, and with a smile Miriam stepped to the piano. "Do you know 'Es war ein Traum'?" she inquired. "No," said he. "That's lovely," put in Wheeler. "Sing it!" Eugene had thought that possibly she sang, but he was not prepared for the burst of color that came with her voice. It was not a great voice, but sweet and sympathetic, equal to the tasks she set herself. She selected her music as she selected her clothes--to suit her capacity. The poetic, sympathetic reminiscence of the song struck home. Eugene was delighted. "Oh," he exclaimed, bringing his chair close to the piano and looking into her face, "you sing beautifully." She gave him a glittering sm
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