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e said that it was a great curtain sheltering the long, untroubled sleep of wealth, a thick curtain behind which nothing could be heard save the soft closing of a porte-cochere, the rattling of the milkmen's tin cans, the bells of a herd of asses trotting by, followed by the short, panting breath of their conductor, and the rumbling of Jenkins' coupe beginning its daily round. First of all, to the hotel de Mora. On the Quai d'Orleans, beside the Spanish embassy, stood a superb palace with its principal entrance on Rue de Lille, and a door on the riverside, and long terraces which formed a continuation of those of the embassy. Between two high, ivy-covered walls, connected by imposing stone arches, the coupe flew like an arrow, announced by two strokes of a clanging bell, which aroused Jenkins from the trance in which the perusal of his newspaper seemed to have plunged him. Then the wheels rolled less noisily over the gravel of a vast courtyard and stopped, after a graceful sweep, at the front steps, above which was spread a circular awning. One could see indistinctly through the mist half a score of carriages in a line, and the silhouettes of English grooms leading the duke's saddle-horse up and down an avenue of acacias, all leafless at that season and standing naked in their bark. Everything revealed well-ordered, pompous, assured luxury. "It makes no difference how early I come, others are always here before me," said Jenkins, glancing at the line in which his coupe took its place; but, certain of not being compelled to wait, with head erect and a tranquil air of authority, he went up the official steps, over which so many trembling ambitions, so many stumbling anxieties passed every day. Even in the reception-room, high-studded, and resonant as a church, which two huge fires filled with gleaming life, notwithstanding the great stoves burning day and night, the magnificence of the establishment burst upon one in warm and heady puffs. There was a suggestion of the hot-house and the drying-room as well. Great heat and abundant light; white wainscoting, white marble statues, immense windows, nothing confined or close, and yet an equable atmosphere well fitted to encompass the existence of some delicate, over-refined, nervous mortal. Jenkins expanded in that factitious sunlight of wealth; he saluted with a "good-morning, boys," the powdered Swiss with the broad gilt baldric and the footmen in short clothes and blu
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