having gone from Blois to Plessis in 1507, Louise of Savoy
may well have followed him thither. Her son was, of course,
the young Duke de Valois, afterwards Francis I.--Ed.
In this room of hers, which was over the King's presence-chamber, all
the noble damsels that were Rolandine's companions were lodged with her.
She, having many times observed the young Prince at his window, made
this known to the Bastard through her governess; and he, having made
careful observation of the place, feigned to take great pleasure in
reading a book about the Knights of the Round Table (10) which was in
the Prince's room.
10 Romances of chivalry were much sought after at this time.
Not merely were there MS. copies of these adorned with
miniatures, but we find that _L'Histoire du Saint Greai, La
Vie et les Propheties de Merlin, and Les Merveilleux Faits
et Gestes du Noble Chevalier Lancelot du Lac_ were printed
in France in the early years of the sixteenth century.--B.J.
And when every one was going to dinner, he would beg a valet to let him
finish his reading, shut up in the room, over which he promised to keep
good guard. The servants knew him to be a kinsman of his master and one
to be trusted, let him read as much as he would. Rolandine, on her part,
would then come to her window; and, so that she might be able to make
a long stay at it, she pretended to have an infirmity in the leg, and
accordingly dined and supped so early that she no longer frequented the
ladies' table. She likewise set herself to work a coverlet of crimson
silk, (11) and fastened it at the window, where she desired to be alone;
and, when she saw that none was by, she would converse with her husband,
who contrived to speak in such a voice as could not be overheard; and
whenever any one was coming, she would cough and make a sign, so that
the Bastard might withdraw in good time.
11 In the French, "_Ung lut de reseul:" reticella--i.e._, a
kind of open work embroidery very fashionable in those days,
and the most famous designers of which were Frederic
Vinciolo, Dominic de Sara, and John Cousin the painter.
Various sixteenth and seventeenth century books on
needlework, still extant, give some curious information
concerning this form of embroidery.--M.
Those who kept watch upon them felt sure that their love was past, for
she never stirred from the room in which, as they thought,
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