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n-gleams_, and it is _her_ private artist who is responsible for one of the first examples of the new style of art which begins to appear at this period. Egyptian art was bound down by conventions jealously guarded by the priesthood, and the slight tendency to break away from these, which now becomes apparent, is another sign of the broadening of thought under the reign of Amenhotep III. and Tiy. King Amenhotep III. does not seem to have been a man of strong character, and in the changes which took place at this time he does not appear to have taken so very large a part. He always showed the most profound respect for, and devotion to, his Queen; and one is inclined to regard him as a tool in her hands. According to some accounts he reigned only thirty years, but there are contemporary monuments dated in his thirty-sixth year, and it seems probable that for the last few years he was reigning only in name, and that in reality his ministers, under the regency of Queen Tiy, governed the land. Amenhotep III. was perhaps during his last years insane or stricken with some paralytic disease, for we read of an Asiatic monarch sending a miracle-working image to Egypt, apparently for the purpose of attempting to cure him. It must have been during these six years of absolute power, while Akhnaton was a boy, that the Queen pushed forward her reforms and encouraged the breaking down of the old traditions, especially those relating to the worship of Amon-Ra. Amenhotep III. died in about the forty-ninth year of his age, after a total reign of thirty-six years; and Akhnaton, who still bore the name of Amenhotep, ascended the throne. One must picture him now as an enthusiastic boy, filled with the new thought of the age, and burning to assert the broad doctrines which he had learned from his mother and her friends, in defiance of the priests of Amon-Ra. He was already married to a Syrian named Nefertiti, and certainly before he was fifteen years of age he was the father of two daughters. The new Pharaoh's first move, under the guidance of Tiy, was to proclaim Aton the only true god, and to name himself high priest of that deity. He then began to build a temple dedicated to Aton at Karnak; but it must have been distasteful to observe how overshadowed and dwarfed was this new temple by the mighty buildings in honour of the older gods which stood there. Moreover, there must have been very serious opposition to the new religion in Theb
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