he tomb, it was carefully worked. It was not until two days
later that enough clearing had been done to allow us to crawl in over
the rubbish, which was still piled up so nearly to the roof that there
was only just room to wriggle downwards over it with our backs pressing
against the stone above. At the lower end of the corridor there was a
flight of steps towards which the rubbish shelved, and, sliding down the
slope, we were here able to stand once more. It was obvious that the
tomb did not stop here, and work, therefore, had to be begun on the
rubbish which choked the stairway in order to expose the entrance to
further passages. A doorway soon became visible, and at last this was
sufficiently cleared to permit of our crawling into the next corridor,
though now we were even more closely squeezed between the roof and the
_debris_ than before.
The party which made the entrance consisted of Mr Davis; his assistant,
Mr Ayrton; Mr Harold Jones; Mr Max Dalison, formerly of the Egypt
Exploration Fund; and myself. Wriggling and crawling, we pushed and
pulled ourselves down the sloping rubbish, until, with a rattling
avalanche of small stones, we arrived at the bottom of the passage,
where we scrambled to our feet at the brink of a large rectangular well,
or shaft. Holding the lamps aloft, the surrounding walls were seen to be
covered with wonderfully preserved paintings executed on slightly
raised plaster. Here Horemheb was seen standing before Isis, Osiris,
Horus, and other gods; and his cartouches stood out boldly from amidst
the elaborate inscriptions. The colours were extremely rich, and, though
there was so much to be seen ahead, we stood there for some minutes,
looking at them with a feeling much akin to awe.
The shaft was partly filled with rubbish, and not being very deep, we
were able to climb down it by means of a ladder, and up the other side
to an entrance which formed a kind of window in the sheer wall. In
entering a large tomb for the first time, there are one or two scenes
which fix themselves upon the memory more forcefully than others, and
one feels as though one might carry these impressions intact to the
grave. In this tomb there was nothing so impressive as this view across
the well and through the entrance in the opposite wall. At one's feet
lay the dark pit; around one the gaudy paintings gleamed; and through
the window-like aperture before one, a dim suggestion could be obtained
of a white-pillared h
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