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n without, as a consequence, a figure rising up before the mind partially furnished with the details of a personality and fully endowed with the broad character of an individual. The first lesson, thus, which we must learn is that of allowing no incongruity to appear in our figures. A king whose name has survived to us upon some monument becomes at once such a reality that the legends concerning him are apt to be accepted as so much fact. Like John Donne once* says-- "Thou art so true, that thoughts of thee suffice To make dreams truth, and fables histories." *Transcriber's note: Original text read "one". But only he who has resided in Egypt can judge how far the fables are to be regarded as having a nucleus of truth. In ancient history there can seldom be sufficient data at the Egyptologist's disposal with which to build up a complete figure; and his puppets must come upon the stage sadly deficient, as it were, in arms, legs, and apparel suitable to them, unless he knows from an experience of modern Egyptians how to restore them and to clothe them in good taste. The substance upon which the imagination works must be no less than a collective knowledge of the people of the nation in question. Rameses must be constructed from an acquaintance with many a Pasha of modern Egypt, and his Chief Butler must reflect the known characteristics of a hundred Beys and Effendis. Without such "padding" the figures will remain but names, and with names Egyptology is already overstocked. It is remarkable to notice how little is known regarding the great personalities in history. Taking three characters at random: we know extremely little that is authentic regarding King Arthur; our knowledge of the actual history of Robin Hood is extremely meagre; and the precise historian would have to dismiss Cleopatra in a few paragraphs. But let the archaeologist know so well the manners and customs of the period with which he is dealing that he will not, like the author of the stories of the Holy Grail, dress Arthur in the armour of the thirteenth century, nor fill the mind of Cleopatra with the thoughts of the Elizabethan poet; let him be so well trained in scientific cautiousness that he will not give unquestioned credence to the legends of the past; let him have sufficient knowledge of the nation to which his hero or heroine belonged to be able to fill up the lacunae with a kind of collective appreciation and estima
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