FREE BOOKS

Author's List




PREV.   NEXT  
|<   141   142   143   144   145   146   147   148   149   150   151   152   153   154   155   156   157   158   159   160   161   162   163   164   165  
166   167   168   169   170   171   172   173   174   175   176   177   178   179   180   181   182   183   184   185   186   187   188   189   190   >>   >|  
c part of the drama. The sudden turn of fortune in the conclusion is ridiculed in "The Rehearsal." The researches of Mr Malone have ascertained that "Marriage A-la-Mode" was first acted in 1673, in an old theatre in Lincoln's Inn Fields, occupied by the King's company, after that in Drury-Lane had been burned, and during its re-building. The play was printed in the same year. TO THE RIGHT HONOURABLE THE EARL OF ROCHESTER[1]. MY LORD, I humbly dedicate to your Lordship that poem, of which you were pleased to appear an early patron, before it was acted on the stage. I may yet go farther, with your permission, and say, that it received amendment from your noble hands ere it was fit to be presented. You may please likewise to remember, with how much favour to the author, and indulgence to the play, you commended it to the view of his Majesty, then at Windsor, and, by his approbation of it in writing, made way for its kind reception on the theatre. In this dedication, therefore, I may seem to imitate a custom of the ancients, who offered to their gods the firstlings of the flock, (which, I think, they called _Ver sacrum_) because they helped them to increase. I am sure, if there be any thing in this play, wherein I have raised myself beyond the ordinary lowness of my comedies, I ought wholly to acknowledge it to the favour of being admitted into your lordship's conversation. And not only I, who pretend not to this way, but the best comic writers of our age, will join with me to acknowledge, that they have copied the gallantries of courts, the delicacy of expression, and the decencies of behaviour, from your lordship, with more success, than if they had taken their models from the court of France. But this, my lord, will be no wonder to the world, which knows the excellency of your natural parts, and those you have acquired in a noble education. That which, with more reason, I admire, is that being so absolute a courtier, you have not forgot either the ties of friendship, or the practice of generosity. In my little experience of a court, (which, I confess, I desire not to improve) I have found in it much of interest, and more of detraction: Few men there have that assurance of a friend, as not to be made ridiculous by him when they are absent. There are a middling sort of courtiers, who b
PREV.   NEXT  
|<   141   142   143   144   145   146   147   148   149   150   151   152   153   154   155   156   157   158   159   160   161   162   163   164   165  
166   167   168   169   170   171   172   173   174   175   176   177   178   179   180   181   182   183   184   185   186   187   188   189   190   >>   >|  



Top keywords:
acknowledge
 

favour

 

lordship

 
theatre
 
writers
 
gallantries
 

copied

 

wholly

 

raised

 

helped


increase
 
ordinary
 

conversation

 

pretend

 

admitted

 

lowness

 

comedies

 

courts

 

France

 

desire


confess
 

improve

 

detraction

 
interest
 

experience

 
friendship
 
practice
 

generosity

 

middling

 

courtiers


absent

 

friend

 
assurance
 
ridiculous
 

forgot

 
models
 

decencies

 

expression

 

behaviour

 

success


admire

 

reason

 
absolute
 

courtier

 
education
 
natural
 

excellency

 

acquired

 
delicacy
 

building