by Madame Crevel,
secured him an income of twenty-four thousand francs. Hortense having
enjoyed her independent income during the three years of separation
from Wenceslas, Victorin now invested the two hundred thousand francs
he had in trust, in his sister's name and he allowed her twelve
thousand francs.
Wenceslas, as the husband of a rich woman, was not unfaithful, but he
was an idler; he could not make up his mind to begin any work, however
trifling. Once more he became the artist _in partibus_; he was popular
in society, and consulted by amateurs; in short, he became a critic,
like all the feeble folk who fall below their promise.
Thus each household, though living as one family, had its own fortune.
The Baroness, taught by bitter experience, left the management of
matters to her son, and the Baron was thus reduced to his salary, in
hope that the smallness of his income would prevent his relapsing into
mischief. And by some singular good fortune, on which neither the
mother nor the son had reckoned, Hulot seemed to have foresworn the
fair sex. His subdued behaviour, ascribed to the course of nature, so
completely reassured the family, that they enjoyed to the full his
recovered amiability and delightful qualities. He was unfailingly
attentive to his wife and children, escorted them to the play,
reappeared in society, and did the honors to his son's house with
exquisite grace. In short, this reclaimed prodigal was the joy of his
family.
He was a most agreeable old man, a ruin, but full of wit, having
retained no more of his vice than made it an added social grace.
Of course, everybody was quite satisfied and easy. The young people
and the Baroness lauded the model father to the skies, forgetting the
death of the two uncles. Life cannot go on without much forgetting!
Madame Victorin, who managed this enormous household with great skill,
due, no doubt, to Lisbeth's training, had found it necessary to have a
man-cook. This again necessitated a kitchen-maid. Kitchen-maids are in
these days ambitious creatures, eager to detect the _chef's_ secrets,
and to become cooks as soon as they have learnt to stir a sauce.
Consequently, the kitchen-maid is liable to frequent change.
At the beginning of 1845 Celestine engaged as kitchen-maid a sturdy
Normandy peasant come from Isigny--short-waisted, with strong red
arms, a common face, as dull as an "occasional piece" at the play, and
hardly to be persuaded out of weari
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