e
has to know what one is about with them too, for they are turning out
imitations now at Dresden. Wonderful things they used to make; they
will never make the like again--"
"Oh! pshaw!"
"No, cousin. Some inlaid work and some kinds of porcelain will never
be made again, just as there will never be another Raphael, nor
Titian, nor Rembrandt, nor Van Eyck, nor Cranach. . . . Well, now!
there are the Chinese; they are very ingenious, very clever; they make
modern copies of their 'grand mandarin' porcelain, as it is called.
But a pair of vases of genuine 'grand mandarin' vases of the largest
size, are worth, six, eight, and ten thousand francs, while you can
buy the modern replicas for a couple of hundred!"
"You are joking."
"You are astonished at the prices, but that is nothing, cousin. A
dinner service of Sevres _pate tendre_ (and _pate tendre_ is not
porcelain)--a complete dinner service of Sevres _pate tendre_ for
twelve persons is not merely worth a hundred thousand francs, but that
is the price charged on the invoice. Such a dinner-service cost
fifteen thousand francs at Sevres in 1750; I have seen the original
invoices."
"But let us go back to this fan," said Cecile. Evidently in her
opinion the trinket was an old-fashioned thing.
"You can understand that as soon as your dear mamma did me the honor
of asking for a fan, I went round of all the curiosity shops in Paris,
but I found nothing fine enough. I wanted nothing less than a
masterpiece for the dear Presidente, and thought of giving her one
that once belonged to Marie Antoinette, the most beautiful of all
celebrated fans. But yesterday I was dazzled by this divine
_chef-d'oeuvre_, which certainly must have been ordered by Louis XV.
himself. Do you ask how I came to look for fans in the Rue de Lappe,
among an Auvergnat's stock of brass and iron and ormolu furniture?
Well, I myself believe that there is an intelligence in works of art;
they know art-lovers, they call to them--'Cht-tt!'"
Mme. de Marville shrugged her shoulders and looked at her daughter;
Pons did not notice the rapid pantomime.
"I know all those sharpers," continued Pons, "so I asked him,
'Anything fresh to-day, Daddy Monistrol?'--(for he always lets me look
over his lots before the big buyers come)--and at that he began to
tell me how Lienard, that did such beautiful work for the Government
in the Chapelle de Dreux, had been at the Aulnay sale and rescued the
carved panels out o
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