FREE BOOKS

Author's List




PREV.   NEXT  
|<   323   324   325   326   327   328   329   330   331   332   333   334   335   336   337   338   339   340   341   342   343   344   345   346   347  
348   349   350   351   352   353   354   355   356   357   358   359   360   361   362   363   364   365   366   367   368   369   370   371   372   >>   >|  
es of love, as our women do, nor engage in love-intrigues, but they look at the whole matter in a very materialistic and sober way. _Their sole love-affair is the fattening process, on the result of which, as with a pig, depends the girl's value and the demand for her._" In this last sentence, which I have taken the liberty to italicize, lies the philosophy of African "love" in general, and I am glad to be able to declare it on such unquestionable authority. What a Hottentot "regards" in a woman is _Fat_; _Sentiment_ is out of the question. When Hottentots are together, says Kolben, "you never see them give tender kisses or cast loving glances at each other. Day and night, on every occasion, they are so cold and so indifferent to each other that you would not believe that they love each other or are married. If in a hut there were twenty Hottentots with their wives, it would be impossible to tell, either from their words or actions, which of them belonged together." SOUTH AFRICAN LOVE-POEMS As intimated on a preceding page, there are, among Dr. Jakobowski's examples of Hottentot lyrics[139] a few which may be vaguely included in the category of love-poems. "Where did you hear that I love you while you are unloving toward me?" complained one Hottentot; while another warned his friend: "That is the misfortune pursuing you that you love where you ought not to!" A third declared. "I shall not cease to love however much they (_i.e._, the parents or guardians) may oppose me," A fourth addresses this song to a young girl: My lioness! Are you afraid that I may bewitch you? You milk the cow with fleshy hand. Bite me! Pour out (the milk) for me! My lioness! Daughter of a great man! It is needless to say that in the first three of these aboriginal "lyrics" there is not the slightest indication that the "love" expressed rises above mere covetous desire of the senses; and as for the fourth, what is there in it besides reference to the girl's fatness (fleshy hand), her utility in milking and serving the milk and her carnal bites? Yet in this frank avowal of masculine selfishness and sensuality Hahn finds "a certain refinement of sentiment"! A HOTTENTOT FLIRT Though a Hottentot belle's value in the marriage market is determined chiefly by the degree of her corpulence, girls of the higher families are not, it
PREV.   NEXT  
|<   323   324   325   326   327   328   329   330   331   332   333   334   335   336   337   338   339   340   341   342   343   344   345   346   347  
348   349   350   351   352   353   354   355   356   357   358   359   360   361   362   363   364   365   366   367   368   369   370   371   372   >>   >|  



Top keywords:

Hottentot

 

fourth

 
lioness
 

lyrics

 

Hottentots

 
fleshy
 
complained
 
bewitch
 

afraid

 

unloving


misfortune
 

pursuing

 

declared

 
warned
 
addresses
 
oppose
 
friend
 

parents

 

guardians

 
aboriginal

refinement

 

sentiment

 

sensuality

 

selfishness

 

avowal

 
masculine
 

HOTTENTOT

 

corpulence

 

degree

 

higher


families

 

chiefly

 
Though
 

marriage

 

market

 

determined

 

carnal

 
serving
 

slightest

 

indication


Daughter

 

needless

 

expressed

 

reference

 

fatness

 
utility
 
milking
 

senses

 

covetous

 

desire