ntment
does not become a woman. Yet I am distressed, for I am old and Iole is
young, and she will hereafter be his actual wife in place of me." At
this thought jealousy sharpens her wit and she remembers that the
dying centaur had advised her to save some of his blood and, if ever
occasion should come for her to wish to bring back her husband's love,
to anoint his garment with it. She does so, and sends it to him,
without knowing that its effect will be to slowly burn the flesh off
his body. Hearing of the deadly effect of her gift, she commits
suicide, while Hercules spends the few remaining hours of his life
cursing her who murdered him, "the best of all men," and wishing she
were suffering in his place or that he might mutilate her body. Nor
was his latest and "violent love" for Iole more than a passing
appetite quickly appeased; for at the end he asks his son to marry
her!
This drama admirably illustrates the selfish view of the marital
relation entertained by Greek men. Its moral may be summed up in this
advice to a wife:
"If your husband falls in love with a younger woman and
brings her home, let him, for he is a victim of Cupid
and cannot help it. Display no jealousy, and do not
even try to win back his love, for that might annoy him
or cause mischief."
In other words, _The Trachiniae_ is an object-lesson to Greek wives,
telling us what the men thought they ought to be. Probably some of the
wives tried to live up to that ideal; but that could hardly be
accepted as genuine, spontaneous devotion deserving the name of
affection. Most famous among all the tragedies of the Greeks, and
deservedly so, is the _Antigone_. Its plot can be told in such a way
as to make it seem a romantic love-story, if not a story of romantic
love. Creon, King of Thebes, has ordered, under penalty of death, that
no one shall bestow the rites of burial on Prince Polynices, who has
fallen after bearing arms against his own country. Antigone, sister of
Polynices, resolves to disobey this cruel order, and having failed to
persuade her sister, Ismene, to aid her, carries out her plan alone.
Boldly visiting the place where the body is exposed to the dogs and
vultures, she sprinkles dust on it and pours out libations, repeating
the process the next day on finding that the guards had meanwhile
undone her work. This time she is apprehended in the act and brought
before the king, who condemns her to be immured alive i
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