r, besides other literary labors, attending to his
duties in the Courts, overlooking the building of Abbotsford and the
cultivation of his twelve hundred acres, and entertaining more guests
than Voltaire did at Ferney. He was too much absorbed by his legal
duties and his literary labors to be much of a traveller; yet he was a
frequent visitor to London, saw something of Paris, journeyed through
Ireland, was familiar with the Lake region in England, and penetrated to
every interesting place in Scotland. He did not like London, and took
little pleasure in the ovations he received from people of rank and
fashion. As a literary lion at the tables of "the great," he
disappointed many of his admirers, since he made no effort to shine. It
was only in his modest den in Castle Street, or in rambles in the
country or at Abbotsford, that he felt himself at home, and appeared to
the most advantage.
It would be pleasant to leave this genuinely great man in the full flush
of health, creative power, inward delight and outward prosperity; but
that were to leave unwritten the finest and noblest part of his life. It
is to the misfortunes which came upon him that we owe both a large part
of his splendid achievements in literature and our knowledge of the most
admirable characteristics of the man.
My running record of his novels last mentioned "The Monastery," issued
in 1820, in the same year with perhaps the prime favorite of all his
works, "Ivanhoe," the romantic tale of England in the crusading age of
Richard the Lion-Hearted. In 1821 he put forth the fascinating
Elizabethan tale of "Kenilworth." In 1822 came "The Pirate" (the tale of
sea and shore that inspired James Fenimore Cooper to write "The Pilot"
and his other sea-stories) and "The Fortunes of Nigel;" in 1823,
"Peveril of the Peak" and "Quentin Durward," both among his best; in
1824, "St. Ronan's Well" and "Redgauntlet;" and in 1825, two more Tales
of the Crusaders,--"The Betrothed" and "The Talisman," the latter
probably sharing with "Ivanhoe" the greatest popularity.
In the winter of 1825-1826, a widespread area of commercial distress
resulted in the downfall of many firms; and among others to succumb were
Hurst & Robinson, publishers, whose failure precipitated that of
Constable & Co., Scott's publishers, and of the Ballantynes his
printers, with whom he was a secret partner, who were largely indebted
to the Constables and so to the creditors of that house. The crash cam
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