later, 'Hard Cash,' 'The Cloister and the Hearth,'
'Foul Play,' 'Put Yourself in His Place'--how much they all meant once,
or seemed to mean!
The first of them, and the other poems and fictions I was reading, meant
more to me than the rumors of war that were then filling the air, and
that so soon became its awful actualities. To us who have our lives so
largely in books the material world is always the fable, and the ideal
the fact. I walked with my feet on the ground, but my head was in the
clouds, as light as any of them. I neither praise nor blame this fact;
but I feel bound to own it, for that time, and for every time in my life,
since the witchery of literature began with me.
Those two happy winters in Columbus, when I was finding opportunity and
recognition, were the heydey of life for me. There has been no time like
them since, though there have been smiling and prosperous times a plenty;
for then I was in the blossom of my youth, and what I had not I could
hope for without unreason, for I had so much of that which I had most
desired. Those times passed, and there came other times, long years of
abeyance, and waiting, and defeat, which I thought would never end, but
they passed, too.
I got my appointment of Consul to Venice, and I went home to wait for my
passport and to spend the last days, so full of civic trouble, before I
should set out for my post. If I hoped to serve my country there and
sweep the Confederate cruisers from the Adriatic, I am afraid my prime
intent was to add to her literature and to my own credit. I intended,
while keeping a sleepless eye out for privateers, to write poems.
concerning American life which should eclipse anything yet done in that
kind, and in the mean time I read voraciously and perpetually, to make
the days go swiftly which I should have been so glad to have linger. In
this month I devoured all the 'Waverley novels,' but I must have been
devouring a great many others, for Charles Reade's 'Christie Johnstone'
is associated with the last moment of the last days.
A few months ago I was at the old home, and I read that book again,
after not looking at it for more than thirty years; and I read it with
amazement at its prevailing artistic vulgarity, its prevailing aesthetic
error shot here and there with gleams of light, and of the truth that
Reade himself was always dimly groping for. The book is written
throughout on the verge of realism, with divinations and conjectures
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