quire
who this imitator is?
If you please.
Well then, here are three beds: one existing in nature, which is made by
God, as I think that we may say--for no one else can be the maker?
No.
There is another which is the work of the carpenter?
Yes.
And the work of the painter is a third?
Yes.
Beds, then, are of three kinds, and there are three artists who
superintend them: God, the maker of the bed, and the painter?
Yes, there are three of them.
God, whether from choice or from necessity, made one bed in nature and
one only; two or more such ideal beds neither ever have been nor ever
will be made by God.
Why is that?
Because even if He had made but two, a third would still appear behind
them which both of them would have for their idea, and that would be the
ideal bed and not the two others.
Very true, he said.
God knew this, and He desired to be the real maker of a real bed, not
a particular maker of a particular bed, and therefore He created a bed
which is essentially and by nature one only.
So we believe.
Shall we, then, speak of Him as the natural author or maker of the bed?
Yes, he replied; inasmuch as by the natural process of creation He is
the author of this and of all other things.
And what shall we say of the carpenter--is not he also the maker of the
bed?
Yes.
But would you call the painter a creator and maker?
Certainly not.
Yet if he is not the maker, what is he in relation to the bed?
I think, he said, that we may fairly designate him as the imitator of
that which the others make.
Good, I said; then you call him who is third in the descent from nature
an imitator?
Certainly, he said.
And the tragic poet is an imitator, and therefore, like all other
imitators, he is thrice removed from the king and from the truth?
That appears to be so.
Then about the imitator we are agreed. And what about the painter?--I
would like to know whether he may be thought to imitate that which
originally exists in nature, or only the creations of artists?
The latter.
As they are or as they appear? you have still to determine this.
What do you mean?
I mean, that you may look at a bed from different points of view,
obliquely or directly or from any other point of view, and the bed will
appear different, but there is no difference in reality. And the same of
all things.
Yes, he said, the difference is only apparent.
Now let me ask you another question: W
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